This film is adapted from Love West Lake by Wang Xufeng, winner of Mao Dun Literature Prize.

Similar to Farewell My Concubine directed by Chen Kaige, both of them use a traditional opera as a carrier, and through the changes of the times, the love and hate of the protagonists are connected in series. No matter Peking Opera Farewell My Concubine or Yue Opera Butterfly Lovers, the cultural heritage that has been integrated into Chinese’s bones can always infect many audiences inadvertently.

One, two women and one man have been entangled in emotional entanglements for many years

The story begins in the summer of 1992. Chui Yi and Yin Xin are well-known actors of Shaoxing Opera in Shengxian County, Zhejiang Province. They grew up together, studied drama and performed together. Their most successful work together is the classical love myth "Butterfly Lovers".

Chui Yi is soft on the surface, but extremely stubborn in her bones. She is very talented in performing Yue Opera, so it is logical to become a unique figure in the County Yue Opera Troupe. The enthusiasm for Yue Opera has caused her to experience many setbacks. However, whether at the peak or at the bottom of her life, she regards Yue Opera as the most important part of her life.

Yin Xin looks passive to Nuo Nuo, but in fact she is very scheming. In the Yue Opera Troupe, she has always been a foil to her eyes. Although she doesn’t say it to her face, she tries her best to figure out how to get ahead. His eyes were damaged, which made Yinxin see the opportunity to replace each other. Two playmates at the turn of the total angle eventually parted ways because of different choices in life.

Like the setting of July and An Sheng, both heroines have their own unique personalities, and they regard each other as the best confidants for a long time. However, no matter how good the relationship is, it must be subordinated to reality, just like Yue Opera, which is difficult to support the family. After all, they have to face the chicken feathers of life.

Although the main line of the film is about the decades-long entanglement between two women, in order to increase the drama conflict, it is inevitable to join a male role-the painter wants to be good at work. His obsession with mourning and his acquiescence in throwing himself at the silver heart kept the two sisters in a delicate relationship.

From the perspective of human nature, it is selfish to be good at work. He doesn’t love Yin Xin, but he is not willing to give up the other person’s love. In his mind, Yin Xin is just a substitute that he can’t get a visit, but he dare not put down his body to pursue boldly. This kind of swing from side to side eventually hurts the two closest women around him.

Different from the desire for good work, although there are all kinds of unhappiness in the middle, the emotional foundation cultivated for decades makes them miss each other at any time, and that kind of emotion, even if mixed with jealousy and disappointment, is really moving. When Yin Xin snatched the opportunity that belonged to him, they turned against each other, but he still didn’t forget to remind Yin Xin to work hard and play the leading role.

When the other person’s life is the poorest, say, "Do you still want to sing?" It is easy to resolve the contradiction between the two people and bind them together again. There can be friction and contradiction between women, but as long as the ideals are consistent, all roads lead to the same goal.

Second, the elegy of traditional opera under the background of the times

The main line of the film revolves around Yue Opera, and there are inevitably large live performances.

For those who don’t like traditional opera, too many opera aria will inevitably make them feel on pins and needles, but for those who like it, watching Yue Opera on the big screen has a unique taste.

With the smile of the protagonist, all the expressions are panoramic in front of the enlarged picture, which can get a completely different viewing experience from the small theater.

The main character’s several life blows in the film are actually the true manifestation of the decline of Yue Opera.

From being popular with the whole people and thundering applause during the performance, to having to put down one’s posture and succumb to the humble stage set up in the countryside, but still not selling many tickets, until he committed himself to the West Lake cruise performance and completely became an entertainment tool, Yue Opera stepped down the altar step by step.

In A Hundred Birds at the Phoenix, the suona, a traditional Chinese musical instrument, was defeated in the tide of social reform, and unfortunately became an inconspicuous decoration in the corner of the warehouse. Behind the love story of The Willow Waves and the Warbler, it reflected more the decline of traditional culture. In an era of fast food culture, traditional opera is like an outdated antique, and not many people really care about its life or death. Those craftsmen who are struggling to stick to it have experienced hesitation and pain that outsiders can’t understand.

In order to persist in singing opera, they can even make a living as blind masseurs, and accept the dance invitation of wealthy businessmen against their will. However, even if they are down and out again, they still piously guard the artistic bottom line, which is the most respectable place as art inheritors.

Third, art cinema’s confusion and helplessness

As a low-cost literary film, most of the scenes in the film are simple, but the photographer accurately captures the characteristics of each city and the ingenuity of composition, so that each frame can capture the essence of the scene to the greatest extent, showing the ultimate aesthetic feeling. The close combination with the urban style of Hangzhou makes the whole film infiltrate the softness of the south of the Yangtze River from beginning to end, the misty balcony, the ambiguous infatuation between men and women, and even the air seems to be permeated with wet flavor, making the story of Liu Lang Wen Ying belong only to Hangzhou.

The high integration of soundtrack and plot can always convey the character’s mind in tears, which makes the whole story more sad.

The appearance of the hero and heroine is highly coincident with the character in the play. The heroine, Wang Mei, is tough and resolute. Although she is a woman, her lines are more rough than men’s, which coincides with her role temperament. In Butterfly Lovers, she was originally responsible for playing Liang Shanbo, which made her role a little more heroic. Zheng Yunlong brought her own temperament as a classical artist and brought out the best in her identity as an eager painter. The man was as gentle as jade, like the Republic of China.

However, this film also made the common fault of most small-budget art cinema. The petty bourgeoisie in the whole film is too obvious, and it still has not escaped the self-pity and self-pity of a handful of young artists. They always feel that their love tragedy can touch everyone, but they don’t know that ordinary audiences will buy it at all, and they will only become cannon fodder in their own world.

The hero’s standard literary male character likes to hide everything, and he doesn’t want to express or say it. It is very unpleasant, but it is not as free and easy as the female characters in the play. Love is together, and if you don’t love it, you will leave, and you will never drag your feet.

The form and content of the film are far greater than the story. It can even be said that the story line of this film is too thin to be ignored, and the whole film relies more on emotions and performances to support it. As a female director, Dai Wei’s exquisite tenderness and accurate grasp of details and emotions can always make the audience break through the defense easily. However, her over-personalized expression and extremely heavy literary drama are easy to fall into the moans of literary youth and are out of touch with reality, leaving the ordinary audience with no sense of substitution at all, and many actions of the hero and heroine are even more melodramatic.

Today’s domestic films, it is difficult to strike a balance between art and commerce. Some large-scale productions, which pursue scenes and special effects too much, can get sensory pleasure in a short time, but they can’t bring more thinking, and literary films will always fall into a strange circle of ungrounded atmosphere. Even if the creative team tries hard, the final results will never impress ordinary audiences, and even lead passers-by to stay away from domestic literary films.

In fact, many literary films have also made a lot of attempts to add emotional changes to the characters in the narrative process, but no matter how full the role is, it still can’t meet the slow pace of catching customers and lacks dramatic conflicts. It is destined to be appreciated by only a few fans, but it can’t really enter the hearts of the public.

"Liu Lang Wen Ying" did not make any contribution to the breakthrough of domestic literary films, but maintained the basic artistic pursuit of this genre. When the final picture was fixed in absolute beauty, the audience could only take a look at this wallpaper-like beauty and console themselves.

The Light of Hope eight hundred heroes Stations in Sihang Warehouse.

1905 movie network news Director Guan Hu’s another masterpiece has aroused the unanimous expectation of the industry and fans since it was announced. At the same time, I am more curious about how The Eight Hundred will tell the thrilling history 82 years ago. Recently, The Eight Hundred appeared in the 18th National Cinema Domestic Film Promotion Conference, and a documentary recording the preparation of the film made everyone see the determination and pursuit of the film by the main creators, which made some people in the venue look forward to this "ten years to sharpen a sword" war giant.

　

Reproduce the legendary battle in the history of the Anti-Japanese War for ten years. Guan Hu once had "self-doubt"

　

The prototype of the film story is taken from the last battle of the Battle of Songhu in 1937. Xie Jinyuan was ordered to lead more than 400 soldiers from the 524th Regiment of the 88th Division and stationed in the four-row warehouse on the north bank of Suzhou Creek in Shanghai. In order to gain momentum, he lied that there were more than 800 people in the warehouse, so he was called "eight hundred heroes" by later generations. For four days and four nights, they resisted the Japanese crazy attack and proved to the world Chinese’s determination to fight the Japanese war to the end! The south bank of Suzhou River is the Concession, where countless Shanghai citizens, foreign journalists and troops stationed in the Concession gathered to have a panoramic view of this battle, which is a wonder in the history of human war.

　The flag is not down. Four lines of defenders defend the flag to the death.

Long before the preparation of mr. six, Guan Hu had a plan to present the story of eight hundred heroes on the big screen. However, the venue, personnel and resources at that time could not meet the requirements of the creators. If you can’t restore the banks of the Suzhou River in 1937, you can’t show the heroic and legendary battle. From an idea rooted in the heart, to the completion of Suzhou real scene, and then to the smooth shooting, the project has been restarted three times, among which even Guan Hu himself began to doubt "whether this matter really has that great significance". In the VCR recorded for the promotion meeting, Guan Hu can still clearly remember the process of filming The Eight Hundred in recent years, from "feeling crazy" to "trembling" and then to "excitement". Guan Hu’s painstaking efforts and respect for this film are amazing.

　

People in the industry look forward to creating a new epic of China’s war movies every year.

　

From the four rows of warehouses and concessions that took 18 months to design and build, to the costumes that were repeatedly polished and "worn out", The Eight Hundred revealed the perfection of a war blockbuster. Actors should learn the military movements of 1937 in military training and completely transform themselves from "actors" into "soldiers"; Before shooting, live-fire shooting test should be conducted to observe the effect of each weapon on different objects. Apart from finding fault with the shooting details, the participation of Cao Yu, production designer Lin Mu and other industry experts has also become a "double insurance" for the film quality. In addition, director Guan Hu’s consistent accurate and full portrayal of the characters, The Eight Hundred’s "soft" and "hard" strength is enough to make it a world-class war giant.

The preparation of the documentary only shows the tip of the iceberg of The Eight Hundred in the preparatory stage, but it has already excited all the people in the industry present. Some people said, "This will be our own war blockbuster in Chinese!" Under the introduction of the distributor, everyone is looking forward to seeing the breakthrough and innovation of domestic war movies in the film. Many cinema managers even bluntly said that "there should be more such movies". After the conference, many people still praised "The Eight Hundred is the first choice movie this summer".

Xú Zhēng on "No Man’s Land" and "Worried Future"

　　　　　　　 In A Lonely Road, Xú Zhēng plays a boss who goes home for the New Year, and Wang Baoqiang is an ordinary migrant worker who goes to Changsha to collect debts. They meet by chance and deduce a series of funny stories on the trip, becoming a pair of "embarrassed brothers and brothers". In the trailer exposed on the day of the press conference, Wang Baoqiang asked for window ventilation on the plane; Xú Zhēng was "caught" hiding behind the door and being beaten; When I checked into the hotel, I found that the faucet and other facilities were broken; There are also two people lying in a single bed and so on, which make the scene burst into laughter.

　　　　　　　 The film is a road comedy, the story takes place in the mainland, and the background is Spring Festival travel rush during the Chinese New Year. From the trailer, it seems hard to imagine that it is the work of a Hong Kong director. It turns out that Xú Zhēng also participated in some of the directing work on the spot, which made the film more realistic. Not long ago, a video of the crew of "People on the Embarrassing Road" quarreled over lunch boxes was circulated on the Internet, and even Zhang Yimou was forced into the "Embarrassing Road". When talking about this matter, Xú Zhēng said that he didn’t know, whether it was true or not, it was an interesting thing to watch. Compared with this easy thing, Xú Zhēng was very serious when asked about the death of No Man’s Land. "I haven’t heard the exact news of the death of No Man’s Land, but I haven’t heard when the film will be released, but all our masters have put a lot of effort into it, hoping to let everyone see this work." "No Man’s Land" was said to have failed the censorship because there were bad guys and no heroes in the film. From Xú Zhēng’s words, it is not difficult to see that this new work by Ning Hao is indeed "uncertain".

　　CCTV News:According to the South Korean government’s 5 th news, South Korean Foreign Minister Kang Jing and those who visited the comfort women victims and their families on the same day will concentrate on listening to opinions this week in order to sort out the government’s position on the Korea-Japan Comfort Women Agreement with the victims as the center. According to Japanese media reports, in response to South Korean President Moon Jae in’s statement on the 4th that the South Korea-Japan "comfort women" agreement violated the principle of truth and justice, the Japanese government protested to the South Korean Foreign Ministry.

　　According to Yonhap News Agency, Kang Jinghe mainly interviewed the victims who did not attend the presidential luncheon on the 4th. The Ministry of Foreign Affairs began to sort out the official position on the issue of the abolition and renegotiation of the comfort women agreement, and the opinions reflected by the injured party Kang Jinghe will be reflected in the official position. The day before, South Korean President Moon Jae in invited eight comfort women victims to lunch in Cheongwadae. Moon Jae in said that the "Korea-Japan Comfort Women Agreement" reached in 2015 not only violated the truth and justice, but also ignored the victims’ opinions, procedures and contents. Feeling guilty that the government reached such an agreement, he apologized to the victims as president.

　　Japan protested that it would not renegotiate.

　　In response, Japan’s Kyodo News Agency quoted several Japanese Foreign Ministry officials as saying on the 5th that Japan protested to the South Korean Foreign Ministry through the Japanese Embassy in South Korea. The Japanese side criticized Moon Jae in for saying that the consensus reached between South Korea and Japan on the issue of comfort women was wrong and unacceptable. At the same time, it is pointed out that if the consensus is revised, Japan-ROK relations will become uncontrollable, and the ROK is once again required to fulfill the consensus. Japanese Chief Cabinet Secretary Suga Yoshihide also reiterated Japan’s position that it does not agree to renegotiate.

　　Japanese Chief Cabinet Secretary Suga Yoshihide"This is a commitment between countries, so as I said, the Japanese government will not waver in this Japan-South Korea agreement."

　　Many Japanese government officials have always taken a tough stance on maintaining the "Korea-Japan Comfort Women Agreement" reached in 2015, saying that if the consensus is revised, Japan-ROK relations will be "uncontrollable", and Abe even privately said that "1 mm will not be changed". The South Korean Foreign Minister said that he would collect opinions, consider the issue of keeping or abolishing the comfort women agreement, and then announce his official position.

　　Commentator Hong Lin:"The comfort women agreement reached between Korea and Japan has largely fulfilled Japan’s wish. Therefore, Abe really does not want this agreement to be abolished, and hopes that it can be preserved. The issue of comfort women has always been a major obstacle to the development of relations between South Korea and Japan. Such a comfort women’s agreement reached between South Korea and Japan in 2015 has made Japan feel great hope, and it seems that the relationship between South Korea and Japan has a great foundation for future development. However, Japan is also very aware that although it is firmly opposed, the agreement may not be preserved just because it is firmly opposed. Therefore, Japan will also be prepared on the other hand, and what will happen if it renegotiates. This time, it is also using the so-called consensus to put pressure on the South Korean side and accumulate chips for reopening negotiations in the future. If the South Korean government abrogates the agreement and starts negotiations again, it will be a scoring option for the Moon Jae in government. For the Korean government, the abolition of the agreement is a high probability event. "

　　The joint prevention and control mechanism of the State Council held a press conference on the afternoon of March 22nd, introducing the situation of epidemic prevention and control work. Let’s look at it together-

　　China’s epidemic situation is at a high platform stage.

　　From March 1 to 21, China reported more than 41,000 cases of local infection, affecting 28 provinces. At present, the national epidemic situation is at a high platform stage, and the epidemic prevention and control is facing a severe situation of complexity, arduousness and repetitiveness. On March 21st, the State Council Joint Prevention and Control Mechanism sent inspection teams to 10 provinces to carry out inspection work, check loopholes, fill shortcomings, and urge the implementation of rectification based on problems. The working groups of the State Council Joint Prevention and Control Mechanism stationed in all provinces continue to guide the epidemic areas to define risk areas scientifically and decisively, make full use of information technology to strengthen the overall coordination of nucleic acid screening, strengthen the reserve and efficient deployment of transport forces, optimize the use of medical and isolation resources, strictly control cross-infection and block community transmission as soon as possible.

　　The risk of social transmission of epidemic situation in Jilin City and Changchun City still exists.

　　The epidemic situation in Jilin Province is at a high development stage. From March 1 to March 21, more than 22,000 cases of infected people were reported. Since March 14, the number of newly infected people has exceeded 1,000 every day for eight consecutive days. The epidemic situation is mainly concentrated in Jilin City and Changchun City, and the risk of social transmission in the two cities still exists.

　　Nucleic acid detection within the designated area should be completed within 24 hours.

　　The Comprehensive Group of Joint Prevention and Control Mechanism of the State Council issued the Implementation Guide for Regional novel coronavirus Nucleic Acid Detection Organization (Third Edition).

　　In terms of scope, it used to be called the organization and implementation guide of all-staff nucleic acid testing, but this time it has been revised into regional nucleic acid testing, and the scope of nucleic acid testing should be reasonably defined according to the situation of epidemic prevention and control.

　　In terms of time limit, in the past, the time limit for completion of nucleic acid testing was different according to the size of urban population, some were completed in 48 hours and some in 72 hours. This time, aiming at the characteristics of fast spread and strong concealment of Omicron virus strain, it is required that the nucleic acid detection within the designated area should be completed within 24 hours.

　　On the basis of summing up the experience of organization and implementation, more detailed, accurate and targeted guidance was given, including the requirement to set up 9 special classes in the process of organization and implementation, how to match more accurately and effectively in each link of collection, delivery, inspection and reporting, nucleic acid ability, how to allocate sampling personnel and how to set sampling points.

　　At the end of last year and the beginning of this year, Zhengzhou, Xi ‘an and Tianjin, super-large cities with a population of more than 12 million, completed the whole city’s nucleic acid detection work within 24 hours, so we have successful practical experience.

　　Unswervingly adhere to the general policy of "dynamic zero clearing"

　　First of all, globally, the epidemic situation in COVID-19 is still in the period of pandemic, and it is still a public health emergency of global concern, especially in some countries and regions around China, where the epidemic situation is still on the rise, and the pressure of foreign defense input still exists. At present, our domestic territory has presented a multi-point, wide-ranging and frequent epidemic situation, and internal non-proliferation is also an important task.

　　Second, compared with Delta virus, the pathogenicity of Omicron mutant, especially its severe and fatal rate, has been reduced, but it has a strong spreading power, which makes the number of infected people very large. Multiplying a large number of infected people by its pathogenicity or fatality rate will form an absolute number of severe groups, even death groups. So in relative terms, it seems slight, and in absolute terms, the harm is still great, so it can’t be ignored.

　　Third, China has the foundation, conditions and capabilities of "dynamic clearing". The prevention and control in recent years has proved that the implementation of "dynamic zero clearing" is an effective practice and experience of our country, and it is also in line with the reality of China. At present, in the face of the complicated, repeated and severe situation of input pressure and internal diffusion pressure, we should adhere to the general policy of "dynamic zero clearing".

　　Ensure that each province can have at least 2-3 shelter hospitals.

　　At present, there are 33 shelter hospitals built or under construction in China, which are distributed in 19 cities in 12 provinces, including 20 built and 13 under construction, with a total of 35,000 beds. Mainly concentrated in Jilin, Shandong, Yunnan, Hebei, Fujian, Liaoning and other places.

　　In order to guide all localities to better build shelter hospitals, the Comprehensive Group of Joint Prevention and Control Mechanism of the State Council issued a management specification for shelter hospitals, which gave very detailed guidance on the site selection of shelter hospitals, the setting of three areas and two channels, the setting and management of wards, how to allocate medical staff according to the bed ratio, including information means, information transmission, sewage treatment, patient living guarantee for isolated management, and the safety guarantee of the whole shelter hospital. The mechanism comprehensive group also requires all provinces to build or come up with construction plans according to the epidemic situation, so as to ensure that each province can have at least 2-3 shelter hospitals. Even if there is no construction now, we should come up with a construction plan to ensure that the shelter hospital can be built and put into use within two days when it needs to be opened.

　　1,240,413,000 people completed the whole vaccination of Covid-19 vaccine.

　　As of March 21st, 31 provinces (autonomous regions and municipalities directly under the Central Government) and Xinjiang Production and Construction Corps have reported 3,230,367,000 doses of Covid-19 vaccine. The total number of people vaccinated reached 1.274734 billion, accounting for 90.42% of the total population in China. 1,240,413,000 people have been vaccinated, accounting for 87.98% of the country’s total population; 659.2 million people have completed intensive immunization. The number of people over 60 years old vaccinated in Covid-19 reached 222.302 million, and 211.966 million people were vaccinated in the whole process.

　　It is of great significance for the elderly to vaccinate the whole process and strengthen the vaccination of Covid-19 vaccine

　　According to the existing policy, people who meet the conditions of intensive immunization can be vaccinated after 6 months of full vaccination. In particular, most of the elderly people are accompanied by basic diseases. Once they are infected with Covid-19, they are prone to the risk of serious illness and death. It is of great significance for the elderly, especially the very old, to vaccinate Covid-19 vaccine in the whole process. We will continue to guide all localities to strengthen the organization and implementation of vaccination to ensure the safety of vaccination. We also hope that those who have not completed the whole vaccination will complete the vaccination as soon as possible according to the procedures, and those who meet the conditions for vaccination will complete the vaccination in time.

　　The suspension of universal nucleic acid testing in Hong Kong does not mean that the prevention and control of the epidemic situation has been relaxed.

　　Nucleic acid detection and universal nucleic acid detection are two concepts. Nucleic acid detection itself is a technology, and national nucleic acid detection refers to the detection of all employees in an area, with different purposes. There is a timing problem for universal nucleic acid testing. Through more than two years, including the international situation, if universal testing is to be carried out, the most effective time is as early as possible. In the early stage of the epidemic, all infectious sources can be identified and controlled by using nucleic acid technology, and the epidemic can be stopped quickly. In another case, in the later stage of the epidemic, when it drops to a certain level, testing is carried out to achieve the goal of "dynamic clearing" in society. At present, the epidemic situation in Hong Kong is running at a high level. How to concentrate resources, experts and strength in this period to reduce serious illness, death and infection, give priority to the protection of the elderly and protect life to the maximum is the most priority work at present.

　　Not doing universal nucleic acid testing does not mean that Hong Kong’s epidemic prevention and control is now "flat". In fact, it has been deployed around the strategies of "three reductions, three folds, one priority and four concentrations" and has achieved positive results. Therefore, it cannot be considered that the epidemic prevention and control has been relaxed without universal testing. In fact, Hong Kong is also further expanding its detection capability, especially the nucleic acid detection capability. In addition to fixed distribution points, it has also set up special mobile detection points. From the detection strategy, in addition to nucleic acid detection, it also uses antigen detection technology, so that ordinary people can test themselves at home and through the corresponding reporting system, so that possible infected people can be found earlier and managed.

Won the 92nd Oscar for Best Documentary Feature Film.

1905 movie network news　On February 10th, Beijing time, the documentary American Factory won the best documentary feature film at the 92nd Academy Awards. The film records the whole process of Fuyao Glass’s establishment of a factory in the United States. When director Steven Bergner received the award, he especially thanked the film’s recorder Cao Dewang in Chinese. "Thank you, Cao Dewang."

　

Subsequently, Cao Dewang immediately sent a blessing to the two directors, saying that after the film was released, he carefully watched it three times. And stressed that he would accept their criticism objectively.

　

The film was produced and distributed by a company founded by former US President Barack Obama. The work started in 2015 and lasted for four years, showing the changes and influences brought by China enterprises to the "rust belt" in the midwest of the United States.

　

Cao Dewang

The following is the full text of Mr. Cao Dewang’s congratulatory message:

　

Dear Ms. Julia and Mr. Steven, how do you do?

　

Unfortunately, for various reasons, I can’t go to the scene to applaud you and be excited about winning the prize with you, but I’m here to congratulate you.

　

We met five years ago. At the beginning, I was moved by your dedication as a film creator. You are not afraid of hardship and fatigue, and your professionalism and loyalty to your career have deeply touched me. I was deeply impressed by the spirit of seeking truth and being pragmatic, and I also secretly learned from you.

　

After the movie came out, I watched it carefully for three times. I know that you have criticized me in your own way, but I still thank you, and I will accept your criticism objectively. This will greatly help me to continue to develop in the United States in the future, with what attitude, to overcome shortcomings and to make the factory more American. Thank you!

　

After watching the movie, I also found that your works, like China’s classic literary work A Dream of Red Mansions, can be accepted and watched by people of all walks of life and ages, which fully reflects your high quality as a professional media worker, and I deeply admire and respect you.

　

I sincerely wish you the prize, and I sincerely wish you good health, happiness, auspiciousness and happiness after winning the prize. Please come to China when you are free. Thank you!

1905 movie network news "It’s cool to find aliens all over the world!" Whether it’s the TV set that is overloaded because of the merging of galaxies, the well-preserved "alien" in the freezer, or the "astronaut" who was demolished for first aid, all kinds of absurdities in this wonderful journey have been subtly reversed after Sun Yitong’s sentence "Close your eyes". Sleeping in the jungle, the back of the cave and the swarming sparrows, and the surprise smile of editor Tang … … Is there really an "alien"? The film released the ultimate trailer and poster, and the protagonist group showed their magical powers and absurdity on the way to find aliens. Suitcases, beer bottles, magazines, donkeys and sparrows have all become their "mounts", leading a group of people to launch a fantastic exploration journey in the boundless universe.

On March 27th, the film "Space Exploration Editorial Department" held the national premiere of "Making Friends at the End of the Universe" in Beijing. The producer, director and screenwriter, producer, leading actor, screenwriter and starring actor, leading actor, deputy director and literary planner Lu Qiyang, production designer Guo Xinbo, voice director Zhang Guodong and editing director Hu Shuzhen were all present to share the stories behind the scenes with the audience. At the event site, the audience enthusiastically shared their feelings about watching movies. "hilarious, funny, absurd and eccentric", "a rare good movie", "very in line with the mental state of contemporary young people", "I started to laugh my head off, and I couldn’t hold back my tears when I saw the ending. I recalled the absurdity of the whole film but I felt unspeakable sadness and tenderness".

"the absurdity that is about to rush out of the screen"　

The film "Cosmic Exploration Editorial Department" released the ultimate preview and poster.

The film "Cosmic Exploration Editorial Department" recently held a national premiere, and at the same time released the ultimate preview and poster. "Are there really aliens in the world?" Tang Zhijun, editor-in-chief of the magazine played by Yang Haoyu, firmly believes in the existence of extraterrestrial life and is eager to explore the universe one day. Because of this persistence, the "overloaded" TV set, the "aliens" in the freezer, and even the "top pot boy" who came from unknown sources all made him convinced and fascinated. To outsiders, all this is absurd, but is it really so? "All the planets in the universe are much more than all the sand on our earth put together." Is it true that there will be no extraterrestrial life coming to the earth? All kinds of absurdities in this wonderful journey have been subtly reversed after Sun Yitong’s sentence "Close your eyes". Who is the figure in the cave? Why are there sparrows swarming in? What’s the function of the moss-covered return capsule in the jungle? After the chaos, the pot left on the ground can’t help but arouse people’s infinite reverie and suspense.

The film also released the ultimate poster, Tang Zhijun (Yang Haoyu) who tried to drive the donkey to walk in space with UFO, Qin Cairong (ornaments) who used the suitcase as a rocket, Sun Yitong (Wang Yitong) who took off in a sparrow, Su Ri (Jiang Qiming) who took up a beer bottle to boost it, and Xiao Xiao (Sheng Chenchen) &hellip who climbed and held Space Exploration magazine soaring; … The leading group showed their magical powers in front of the huge snow screen of the TV set, and traveled in the universe with their own interests, showing the absurd nature of the film. Where will this fantastic journey lead? Can they find the "aliens" they dream of? What other unknown secrets are there in the universe? Please walk into the cinema together on April 1 to find the answer.

"Go forward bravely towards the’ carrot’ in your heart"　

National premiere "Make a friend at the end of the universe"

On March 27th, the film "The Editorial Department of Space Exploration" held the national premiere of "Making Friends at the End of the Universe" in Beijing, and all the main creators in front of the stage and behind the scenes were present to interact enthusiastically with the audience. Director Kong Dashan frankly shared his intention to create a film: "Movies are like signals. I hope everyone can share joys and sorrows in the movies." This is what he thinks is the meaning of making movies and watching movies. Yang Haoyu, the leading actor, even thought it was an emotional blockbuster: "The characters in the film are all linked together like a family by a common goal of’ looking for aliens’. Other masters are also like their own families, and we hope to dedicate this heavy emotion to everyone through movies together. "

Director Frant Gwo, the producer of the film, said, "It took a long time to create the film and the process was very difficult, but we are very pleased with the result.". Because "the creator’s real happiness is that the work is seen by the audience and he makes his own interpretation", he believes that "the film is complete at this time". At the event, Director Frant Gwo also prepared a special gift for Director Kong Dashan — — A bunch of carrots. "The carrot in the film represents a goal that people are pursuing in the world," Frant Gwo explained, pointing to one carrot after another. "This is your second, third and fourth film. I hope Director Dashan can go forward with the carrot in his heart like the character he created in the film, and I hope the audience can find their own carrot."

"Shocked, moved and proud!"

Harvest the support and praise of a large number of practitioners.

At the premiere ceremony, dozens of friends from the industry, such as,,,,,,,,, and so on, came to the scene to support. Director Li Shaohong said that the first time I saw "Cosmic Exploration Editorial Department" in Pingyao, it "gave me a huge surprise". The film was not only "brain-filled", but also left the audience with infinite reverie. Actor Chen Kun also confessed that he liked The Future Time of Rule of Law directed by Kong Dashan before, but today he was "deeply shocked and moved to tears" when watching the movie. Director Chen Sicheng also lamented that "this is a very different film, which has broken through all my previous feelings of watching movies". Director Rao Xiaozhi described the film "Cosmic Exploration Editorial Department" as a work that still feels great after two brushes. Director Dapeng also said with emotion, "I am happy for all the creators and proud to be a film practitioner".

Li Xueqin, a talk show actor, recalled his first meeting with director Kong Dashan. His sincere eyes at that time were like Tang Zhijun in the film, which made him very moved. "Maybe people can’t pursue their dreams in this life, but they can find companions." Zhang Ji, the director and screenwriter, said excitedly after the screening that he was glad to see that Director Kong Dashan, with the support of directors Wang Hongwei and Frant Gwo, "broke through the old film creation" and "let us see a real China soft science fiction film". The main creators are telling everyone with practical actions that "the film must be innovative"! "I was so shocked that I cried countless times and couldn’t help laughing," said Director Li Yu excitedly. "After reading the preview, I had high expectations, but the result really didn’t live up to expectations." "You may have to mobilize all your life experiences and emotions to see such a movie." Faced with the support and recognition of many film practitioners, Wang Hongwei, the producer of the film, responded affectionately, "Making a film is actually like Tang Zhijun looking for an alien", and every step forward will keep hitting a wall, "If you can’t try once, try twice". As long as you don’t give up, your dream will always come true!

"Write your own poem"

Kong Dashan "broke the news" producer Frant Gwo "brought capital into the group"

At the event site, the audience was excited by the collective presence of the masters, and they couldn’t wait to share their feelings of watching movies. An audience wearing a "soul extractor" solemnly said, "Everyone should stick to his own paranoia", because the most important thing in life is to "write your own poem". Yang Haoyu, the leading actor, agrees. "In fact, everyone is an alien of his own." He said, "The most touching thing about the role of Tang Zhijun is that he knows that his persistent hope may fail, but he still embarks on the journey again and again without hesitation." He also revealed that "Director Frant Gwo gave himself a lot of performance space" when filming, but "how to act is wrong" when filming "Cosmic Exploration Editorial Department", "Director Kong Dashan only wants the purest things in life", and he "denied many performance skills". He joked that he was finally "crazy" to play the role. When director Kong Dashan was asked how he found actors for these strange and loving roles, he admitted that most of them were "friends, so they were free" and that "Director Frant Gwo was not only free,Also’ bringing money into the group’ ",which attracted laughter from the stage and the audience.

"It’s shocking. I’ve seen the best movie in the past ten years," an audience said excitedly at the event. "We don’t know what’s outside the universe, but if we know it, we still have to face the trivial things in life." In the end, the film "falls to birth, illness, death and affection, which is the most romantic interpretation of the universe." Some viewers said, "This movie is a love letter for those who seek knowledge and ask for it", others said, "This is a poem of the universe, and we are all words in the poem", and some viewers even said, "The movie is a light feather, which blows laughter and skips sadness, but it has ripples in everyone’s heart". "All the explorations made by Tang Zhijun are actually exploring his own nature", "The universe may be a puzzle that we human beings can never solve, but we always need people like Tang Zhijun", that is, we are curious about the world and don’t forget to try our best to find ourselves.

The film "Cosmic Exploration Editorial Department" was produced by Wang Hongwei and Frant Gwo, directed by Kong Dashan, starring Yang Haoyu and Ai Liya, and starring Wang Yitong, Jiang Qiming and Sheng Chenchen. At present, the pre-sale of the film has been officially opened and will be released nationwide on April 1. I look forward to meeting you in the cinema.

1905 movie network news The film directed and written by the director has been scheduled to be released at the Lantern Festival on February 5, and will be screened nationwide on February 4. A few days ago, the film released a trailer for the "Meeting on a Narrow Road" version, and started pre-sale at the same time. The film is starring, starring, and performing in a special performance.,,,,, and other powerful actors join in to help out. The trailer announces that Zhong Lei Le (played by Guo Fucheng) and Nan Jiang (played by Liang Chaowei) make a dashing appearance. "The brave and the wise" meet on a narrow road, and the legendary story between the two detectives from teaming up to a showdown begins.

Guo Fucheng threw the gun and Liang Chaowei dodged the bullet, and the two detectives "exchanged ruthless words"

In the exposed preview, the sparks from the cigarette butts in the rain at the beginning hinted that the fierce confrontation like water and fire was about to break out. Accompanied by the sentence "This war is an unforgettable disaster in my fate", Lei Le, played by Guo Fucheng, and Nan Jiang, played by Liang Chaowei, staggered. The rhythm of the music also suddenly accelerated, and a legend full of ups and downs kicked off.

This trailer allows the audience to peek into the turbulent era through the perspectives of Lei Le and Nanjiang, the two "legendary detectives". Lei Le, as the leading figure of the four major detectives, has a more complacent attitude in his gestures and expressions; Nanjiang shows his hidden characteristics of sharpness, and his joy and anger are not visible; the trailer also shows the action scenes of hand-to-hand fighting and fierce gunfights in the film. Guo Fucheng and Liang Chaowei also dedicated "famous scenes" of "unrestrained throwing guns" and "dodging bullets" respectively. In the trailer, Lei Le’s sentence "whoever has the ability is big" is domineering! Looking at each other across the table, Nanjiang also choked "The brave one wins when they meet on a narrow road? Wrong, the wise one wins". The lines are intertwined with a sense of tension, and the peak showdown of who can become the winner has become the biggest suspense of the film, waiting for the audience to enter the theater to reveal the answer when it is released nationwide on February 4 and Lantern Festival on February 5.

The whole lineup appeared full of aura, and the top lineup staged a legendary epic together

In addition to starring Guo Fucheng and Leung Chaowei, Du Juan, Xu Guanwen, Tan Yaowen, Zhou Wenjian, Jin Yanling and other powerful actors also appeared in the trailer. The lead actor Du Juan plays Cai Zhen, the wife of Lei Le, in the film, and the one side of the trailer is Sa Mei dazzling; Xu Guanwen, who just won the Hong Kong Film Awards Lifetime Achievement Award in 2022, specially starred in Li Zichao, the director of the investigation of the Independent Commission Against Corruption, and it seems that there is no shortage of antagonism between him and the "Four Detectives"; starring Jin Yanling and Weng Ziguang, director and Guo Fucheng, cooperate again, which makes people expect wonderful chemical reactions between them; starring Tan Yaowen and Zhou Wenjian play Yan Hong and Han Sen in the "Four Detectives" respectively, and jointly interpret this legendary story of ups and downs. Many powerful actors joined in, and how their characters would play a role in this epic adaptation of the true history of the two heroes was another highlight of the film.

The movie "When the Wind Rises Again" will be released nationwide at the Lantern Festival on February 5, and will be screened nationwide on February 4. Pre-sale is now fully open!

　　BEIJING, March 22 (Xinhua) According to the website of the General Administration of Market Supervision, the General Administration of Market Supervision released the national supervision and spot check plan for product quality in 2019, including 43 kinds of daily-use and textiles, 37 kinds of building and decoration materials, 24 kinds of food-related products and other products. A total of 267 kinds.

　　The General Administration of Market Supervision will perform its duties according to law, carefully organize and carry out national supervision and spot checks on product quality according to the spot check plan, publicly release the results of national supervision and spot checks on product quality to the public, and deal with violations of product quality according to law. While carrying out national supervision and spot checks as planned, the General Administration of Market Supervision may, according to the actual situation of the work, adjust the contents of the plan as appropriate and organize special supervision and spot checks on unplanned products.

　　National supervision and spot check plan for product quality in 2019

　　(267 species)

　　I. Daily use and textiles (43 kinds)

　　1. Children’s articles (5 kinds): restraint system for motor vehicle child occupants, children’s shoes, children’s and infant’s clothes, baby carriages and toys.

　　2. Textiles (20 kinds): cashmere sweaters, suits, coats, knitted underwear, casual clothes, bedding, shirts, swimsuits, towels, socks, down clothes, leather clothes, silk quilts, duvets, umbrellas, scarves, sweaters, pajamas, T-shirts, silk clothes and jackets.

　　3. Luggage footwear (6 types): backpacks, travel shoes, leather shoes, rain boots, snow boots, travel luggage.

　　4. Cultural and sports supplies (12 kinds): sports helmets, roller skates, outdoor fitness equipment, indoor fitness equipment, badminton, table tennis, badminton rackets, table tennis rackets, volleyball, basketball, football and student stationery.

　　Second, electronic appliances (51 kinds)

　　1. Household appliances (33 kinds): refrigerators, electric ovens and baking utensils, range hoods, household electric washing machines, electromagnetic cookers, electric pressure cookers, indoor heaters, electric kettles, room air conditioners, water storage electric water heaters, tableware disinfection cabinets, electric fans, quick-heating electric water heaters, heat pump water heaters (appliances), automatic rice cookers, electric blankets, massage appliances, fabric steam engines, etc.

　　2. Electronic products (13 kinds): power adapters, IC card readers, routers, active speakers, color televisions, printers, uninterruptible power supplies for information technology equipment, microcomputers, projectors, mobile power supplies, driving recorders, audio power amplifiers, and liquid crystal displays.

　　3. Lighting sources and lamps (5 types): movable general lamps, LED control devices, fixed general lamps, embedded LED lamps and self-ballasted LED lamps.

　　Iii. Light industrial products (28 kinds)

　　1. Household paper products (3 kinds): diapers (sheets and pads), tissue paper and toilet paper.

　　2. Household gas appliances (4 kinds): household gas quick water heaters, household gas stoves, gas heating water heaters, stainless steel corrugated hoses for gas.

　　3. Household products (3 kinds): liquid detergent for clothes, hand sanitizer and household cleaner.

　　4. Furniture (8 kinds): children’s furniture, sofas, office chairs, brown fiber elastic mattresses, wooden furniture, spring soft mattresses, household bunk beds and metal furniture.

　　5. Glasses products (5 kinds): spectacle lenses, spectacle frames, sunglasses, presbyopia glasses and swimming glasses.

　　6. Other light industrial products (5 kinds): electric bicycles, fireworks and firecrackers, bicycles, manual wheelchairs, and simulated ornaments.

　　Four, building and decoration materials (37 kinds)

　　1. Building materials (15 kinds): hot-rolled ribbed steel bars, cold-rolled ribbed steel bars, hot-rolled round steel bars, building waterproofing materials, building sealants, building exterior wall coatings, extruded polystyrene foam plastics (XPS) for thermal insulation, cement, steel strands for prestressed concrete, geosynthetics, new wall materials (bricks and blocks), rock wool boards, aluminum alloy building profiles, and rigid polyvinyl chloride (PVC-PVC).

　　2. Decoration materials (22 kinds): polyethylene (PE) pipes, synthetic resin emulsion interior wall coatings, insulating electrical sleeves for buildings, medium density fiberboard, particleboard, wallpaper, ceramic toilet, ceramic tiles, sanitary ceramics (washbasin), shower heads for bathing, impregnated paper laminated wooden floors, sanitary ware hoses, ceramic sealing taps, aluminum-plastic composite panels, sanitary furniture and non-contact water taps.

　　V. Agricultural means of production (9 kinds)

　　1. Fertilizer (5 kinds): compound fertilizer, phosphate fertilizer, nitrogen fertilizer, potassium fertilizer and organic fertilizer.

　　2. Agricultural machinery (3 kinds): motorized thresher, submersible pump and water pump (ground pump).

　　3. Other agricultural means of production (1 species): drip irrigation belt.

　　Six, machinery and security products (43 kinds)

　　1. Vehicle-related products (15 kinds): engine lubricating oil, automobile tires, motorcycle tires, motorcycle occupant helmets, automobile seat belts, automobile external lighting and light signal devices, automobile interior materials, brake hoses, motor vehicle engine coolant, motor vehicle brake fluid, automobile windshield cleaning fluid, motorcycle brake shoe components and brake lining components, automobile rearview mirrors, automobile splash prevention devices, automobile seats and headrests.

　　2. Pumping and drilling equipment (4 kinds): pumping unit, oil pump, sucker rod and its coupling, drilling suspension tools.

　　3. Explosion-proof and fire-fighting equipment (6 kinds): explosion-proof electrical appliances, explosion-proof motors, explosion-proof lamps, fire-fighting emergency lamps, fire hoses and combustible gas detectors.

　　4. Measuring instruments (6 kinds): electric energy meter, water meter, electronic pricing scale, membrane gas meter, general pressure gauge and measuring transformer.

　　5. Labor protection articles (7 kinds): safety helmet, safety net, safety belt, self-priming filter type anti-particle respirator, anti-static clothing, electrically insulating shoes, and shoes for toe safety (protection).

　　6. Other mechanical and security products (5 kinds): locks, anti-theft safes (boxes), RMB discriminator, positive displacement air compressor, and dangerous chemicals packaging.

　　Seven, electrician and material products (32 kinds)

　　1. Low-voltage electrical appliances and electrical accessories (9 types): residual current operated circuit breakers for household and similar purposes, overcurrent protection circuit breakers for household and similar places, plastic case circuit breakers, disconnectors, plugs and sockets for household and similar purposes, switches (wall switches) for household and similar fixed electrical devices, wire assemblies, appliance switches and extension cord sockets (with power adapters).

　　2. Power transmission and transformation equipment and products (3 kinds): photovoltaic grid-connected inverters, power transformers and gapless metal oxide lightning arresters with composite jackets.

　　3. Motors (4 types): three-phase asynchronous motors, permanent magnet DC motors, permanent magnet synchronous motors and low-power motors.

　　4. Batteries (2 types): storage batteries and primary batteries.

　　5. Other electrical products (3 kinds): electric tools, arc welding machines, wires and cables.

　　6. Metal materials and metal products (4 kinds): copper and copper alloy pipes, titanium and titanium alloy processed products, high-strength fasteners and power fittings.

　　7. Rubber products (4 kinds): automobile transmission belts, flame-retardant conveyor belts, rubber sealing products, rubber hoses and hose assemblies.

　　8. Other materials (3 kinds): grinding wheels, valves, magnesia-carbon bricks.

　　Eight, food related products (24 kinds)

　　Composite film bags, non-composite film bags, polyethylene terephthalate (PET) bottles, plastic baby bottles, polycarbonate (PC) drinking water tanks, plastic cups, plastic bottle caps, melamine plastic tableware, plastic disposable tableware, plastic chopping boards, paper and cardboard materials for food packaging, paper cups, paper containers for food contact, glass wine bottles, glass food bottles and cans, glassware in contact with food, stainless steel vacuum.