China’s online literature, dubbed "barbaric growth", has become a unique landscape in the history of human literature development. The latest data shows that among the 731 million netizens in China, there are 333 million users of online literature, accounting for 45.6% of the total number of netizens, and there are 304 million netizens who read literature online on their mobile phones. The total number of words updated by hundreds of literary websites can reach 200 million Chinese characters, and the average daily page views of literary websites exceed 1.5 billion times. In 2016, the output value of online literature market in China exceeded 500 billion yuan. There is only one reading group, and 4 million authors upload original works for it every day, and the stock of online novels reaches 10 million. Books transformed and published from online novels, movies, games, animations, audio books and peripheral products have ignited the mass entertainment market and created a huge industry of "internet plus". It can be said that such a prosperous literary situation is unprecedented in China and unique in the world.

　　According to the survey of network literature in Europe, America, Japan, South Korea and South Asia conducted by the research team of Central South University, neither the Chinese network literature in these countries nor their native language network creation has been as prosperous as China. China, as a country with a long history of cultural resources, has seized the opportunity of digital media, and has truly become a strong country in online literature. Whether it is the author lineup, readers’ groups, works stock or overall literary vitality, China’s online literature has risen like Lin Xiufeng on the horizon of world literature, and it is an indisputable fact that the vast online literature is ahead of the world. Its cultural appearance and influence can be compared with Hollywood blockbusters, Japanese anime and Korean dramas. Based on the cross-border advantages of the Internet, a large number of China online novels have gone abroad and been sought after by foreigners, in the United States, Canada, the Philippines, Britain, Russia, Indonesia, Vietnam … … There are many fans of online novels in China. The English translation website Wuxiaworld alone has been followed by readers from more than 100 countries and regions around the world, with more than 500 million hits and more than 500,000 daily visitors. Not only history, romance, but also fantasy, science fiction, games and apocalyptic works are all favorite dishes of many European and American readers. In Novel Updates, a navigation website that provides Asian translation serials, novels are from qidian.

　　Such a "huge amount" of literature exists, and it has begun to become a strong force of China culture "going out". Why can our online literature lead the world?

　　The government escorts network literature.

　　The good trend of online literature in China is due to the active guidance and support of the government, which has gradually formed a social environment and public opinion atmosphere conducive to the healthy development of online literature. In recent years, the relevant government departments have issued a series of policy measures on the development of online literature, which has made the online literature with the rise of grassroots and "barefoot running" an important position for the national strategy of cultural development and the construction of core values. On the one hand, it gives more support and rewards to online literature with policy orientation. For example, Opinions on Prospering and Developing Socialist Literature and Art in the Central Committee of the Communist Party of China advocates "vigorously developing online literature and art", adopts the policy of "paying equal attention to construction and development, management and guidance", implements the creation and dissemination plan of online literature and art, and encourages the introduction of excellent online original works to promote the prosperous and orderly development of online literature. Since 2015, the State Administration of Radio, Film and Television and the Chinese Writers’ Association have launched the "Promotion Activities of Excellent Original Works of Online Literature" and the "Ranking of Online Novels in China" respectively, trying to set a benchmark for online literature and promote it to be mainstream and classic; On the other hand, we will carry out special actions such as "Net Net" and "Sword Net" to crack down on online infringement and piracy, strengthen the copyright management of online literature content and works, standardize the market order of online literature, optimize the network environment, and let positive energy lead online creation.Network literature has become an important wing of China’s cultural soft power construction with its extensive literary penetration, entertainment attraction and cultural influence.

　　Market injects innovation power into network literature.

　　Another factor contributing to the prosperity of China’s online literature is the market operation. If Shan Ye’s grass-roots free writing, the communication mechanism of the technology jungle and the economic lever of the business model are the three sharp tools for the explosive growth of online literature, then the market-oriented operation of the business model is the biggest pusher to stimulate creation, promote communication and innovate management, and it is also the economic support for the massive growth of online literature in China, which is exactly what other countries in the world have failed to do. From the unsustainable acquisition of the largest original literature website "Banshuxia" more than ten years ago, to the cliff-like decline of Shanda Literature from monopoly to disintegration, to the fact that Reading Group has become the new overlord in the field of online literature, and even the successful listing of Chinese online, the fundamental reason behind it lies in the success of business model construction and market operation. The rise of network literature in China is not only the cultural creation of digital media, but also the inevitable result of the birth of network cultural capital market. Its incentive mechanism lies in that online writing can not only express freely and spread instantly, but also make a profit to become rich and well-off, and even enter the "rich list of writers" to gain both fame and fortune, thus becoming an important incentive to inspire many people to "touch the net" to write. Li Hu was recently named the "King of Internet", and writers such as Chen Dong, Maoni, Dreaming of God, Tang Jiasan Shao and I Eat Tomatoes ascended the throne of "Twelve Gods".There are also a number of writers who have won the titles of "Platinum Writers", "Great God Writers" and "Top 100 Great Gods". Besides the value of their works, their evaluation criteria are mostly inseparable from the market reactions recognized by readers, such as click-through rate, collection, rewards, IP transfer rate, publication circulation and number of fans.

　　Since the middle and late last century, Chinese online literature in China has gone through a tortuous development path, from the initial "utilitarian" creation to the market-oriented exploration at the beginning of the new century (for example, Qidian.com tried to pay for reading in 2003), and then in recent years, the IP bidding copyright model has gradually formed a "long tail effect" extending from upstream original works to downstream industrial chains such as film and television, games, animation, books, performing arts, audio and peripheral industries. Although there are still cases of online piracy, mercenary and neglecting social benefits, the commercial operation of online literature activates, drives, prospers and restricts the mass entertainment cultural market, which is a major reason why China’s online literature can lead the world.

　　Culture provides rich nourishment for online literature.

　　Network literature is a kind of original literature and popular literature. Its influence and communication power actually show the cultural creativity of the Chinese nation, and its health and prosperity reflect our cultural self-confidence. Imagine that a kind of literature can be created by tens of millions of people, with millions of contracted writers and a readership of more than 300 million people, and spread far and wide around the world through the special path of cross-border network and folk power. This phenomenal "cluster" literary phenomenon of the times is surely a generate with the release of national literary innovation and cultural creativity.

　　Tang Jiasan Shao, who started to create online in 2004, has written more than 40 million words of novels and published more than 160 books, which have been continuously updated for 130 months. Recently, he said with emotion: "No country will produce millions of new writers in just a few decades. How many writers can there be in the world?" He also quoted Professor Chen Xiaoming from Peking University as saying: "Even if there is only one-tenth of the fine works of online literature, it is a very large and considerable number, which is incomparable to other countries." There are many writers, high output, perseverance, and youthful passion to let go of dreams. It is difficult for online literature to think about it. Of course, there are more important historical and social reasons for the high standard of online literature in the world. China’s long literary tradition and cultural heritage provide rich soil for today’s online literature creation. It goes without saying that the strong rise of China’s economy, the continuous enhancement of comprehensive national strength and the open and stable social environment are the biggest background of the rapid rise of online literature in China.

　　The experience of the development of online literature shows that strong cultural soft power is the ultimate goal pursued by a country. The innovative vitality and cultural creativity highlighted by online literature is a great symbol of the increasing cultural soft power of the Chinese nation.

　　(Image from the Internet)

　 　 　 　 1905 movie network news Directed by Rene Liu, supervised by Zhang Yibai, and starring Jing Bo Ran, Zhou Dongyu and Tian Zhuangzhuang, the film will be released on April 28th, and it will compete in May 1st. As Rene Liu’s directorial debut, The Later Us attracts increasing attention. On April 22nd, the film released a special video of director Rene Liu for nearly 3 minutes, which not only promoted the only love movie in May 1st, but also gave Rene Liu fans a glimpse of her hard work.

　 　 　 　　In many people’s minds, Rene Liu is a goddess. Rene Liu, who stubbornly sings, acts seriously and lives in a low profile, always carries the aura of a goddess, and always seems out of reach. But in this special edition, we can see that Rene Liu is working in the snow at -30℃, and even his eyelashes are covered with ice. She cares about the staff all the time, and she does everything for the crew, even debugging the prop light bulbs. How much did Rene Liu pay for this film? This special edition has only revealed a part for everyone.

　 　 　 　　As an actor, Rene Liu is already familiar to us; As a director, Rene Liu is still a stranger to us. Previously, Mayday re-arranged the golden song "Later Us" and dedicated it to Rene Liu as the film’s famous song. There are many pictures of Rene Liu’s on-the-spot work in the MV, and in this special edition, there are more hardships when Rene Liu works.

　 　 　 　　As a director, Rene Liu is absolutely hands-on, personally performing and demonstrating for the actors, which is natural for Rene Liu. In other aspects, from how wet Zhou Dongyu’s hair is, the texture of chairs in Internet cafes, to the placement of camera seats, she will constantly communicate with the photography director and production designer. There is even a picture of her personally debugging the prop light bulb in the special edition; Because Zhou Dongyu’s crying scene was to be filmed, Rene Liu personally helped Zhou Dongyu to make eye shadow, so as to ensure that the crying scene later would not burn the eye shadow — — These details make people pay homage to Rene Liu.

　 　 　 　　Running seems to be one of the most common states of Rene Liu on the set. Rene Liu, wearing thick clothes, stumbled across the platform in the heavy snow; In fact, everyone doesn’t know that director Rene Liu had an operation on her knee, which made her unable to run vigorously so as not to increase the load on her knee. Even so, he still ran in small steps all the way, telling stories and communicating with actors, and trying to achieve the desired effect. Sometimes, Rene Liu will sit behind the monitor, staring at the monitor closely, and communicate with the master from time to time. In the words of the staff, Rene Liu "either looks behind the monitor or tells a play in the screen of the monitor", and her intentions can really be seen through this special edition.

　 　 　 　　"I am most worried about whether the staff can bear the cold outside, because (now) it is -30℃." Rene Liu, who said this, looked anxiously at all the staff members who were extremely bloated. She didn’t notice at all that her eyelashes were covered with ice flowers.

　 　 　 　　Jing Bo Ran and Zhou Dongyu praised Rene Liu’s warm heart in the special edition. Jing Bo Ran said, "I think it’s a very happy thing to cooperate with the director from the point of view of the actress, because she really loves the actress.". With the picture is Rene Liu is Jing Bo Ran scarf, and in a coquetry way to appease him, while saying "good good". There is also a picture of Rene Liu taking care of Zhou Dongyu in the special edition: putting two down waistcoats on Zhou Dongyu and carefully buttoning her up. In the film, Tian Zhuangzhuang, who plays the role of seeing her father, looks a little swollen in front of the camera, and she will also check with the photography director to see if she can change the camera.

　 　 　 　　Careful Zhou Dongyu also observed that Rene Liu is not only concerned about the leading role, but also about the crew. There is a child actor at the scene, and Rene Liu will specifically tell the dresser to "put a sock on him first, and we will ask you to take it off when you want to shoot"; The crew was rushing to work, and Rene Liu was afraid that everyone would be hungry, so he quietly took out cookies and distributed them to the crew to replenish energy. Zhou Dongyu couldn’t help admiring that "she will really give you a lot of touches from the nuances to the big places".

　 　 　 　　We always talk about Do not forget your initiative mind. For Rene Liu, her initial intention was to make a romantic film.

　 　 　 　　"I wrote a story in my previous book called" Going Home for the New Year ". It is about a man and a woman working in a big city. Every year when they go back, they have to face the expectations of their families. Every year, they have new situations, such as just being together or not, and their work is not smooth. But whether they live well or not, they will behave well when they go back. Even if two people are not together, they will be too lazy to explain to their families and pretend to be together. In fact, the family members all saw it, so the white lies on both sides began. So there is love and affection in it. Later, when I made this movie, I adapted this story. In fact, I want to talk about the process and regret of a couple of men and women for ten years. "

　 　 　 　　The earliest version was about two young people leaving their hometown to work in other places, but after producer Zhang Yibai gave the concept of drifting north, Rene Liu began to lead the screenwriter to adjust his direction again. In this process, she was constantly asked to be a director, but she refused, on the grounds that "those stories are very good and others will shoot better than me." I think I still have to shoot what I believe, so in the end I adapted a story from my book. "

　 　 　 　　Therefore, in Later Us, the audience can definitely touch Rene Liu’s initial heart. "It’s just my style, Rene Liu’s style, and I just want to (shoot) a movie that will move you.".

　 　 　 　　Tian Zhuangzhuang plays Lin Jianqing’s father in this film. As a representative of the fifth generation directors, his evaluation is particularly convincing: "Rene Liu may have been observing the work as a director for a long time, otherwise she wouldn’t have done so well. Then she did a very detailed research on each character. " The communication between Rene Liu and Tian Zhuangzhuang is also particularly in place. Rene Liu told him to "speak a little slower" and "lower when the head is low". They only need such a few simple sentences to achieve a very tacit understanding.

　 　 　 　　Being a director for the first time, Rene Liu asked herself to be very focused. Therefore, she asked that "there are good people working with me in every professional field". The photography director she worked with this time is Li Pingbin, who is known as the "poet of light and shadow". He has won the best photography award of the Golden Horse Award for Taiwanese films for seven times, and won technical awards at Cannes Film Festival and Berlin Film Festival respectively. The films directed by producer Zhang Yibai frequently set new box office records for China romantic films; In addition, recording engineer Shiang-Chu Tang, modeling director Dora Ng and production designer Zhai Tao are all outstanding in the industry.

　 　 　 　　Rene Liu’s mentor Zhang Aijia also appeared in the special edition. Zhang Aijia specially came to visit the class and gave Rene Liu a lot of advice and help.

　 　 　 　　Rene Liu is very simple. "What I want to do most is to let everyone see ourselves in different ways", but Rene Liu is also ambitious, because she hopes that after watching Later Us, "listening to my song will make you feel that it is not Rene Liu’s song, it is your song; Look at my movie, I hope it’s not my movie, you see yourself in it. "

Directed by Rene Liu and participated in the screenwriter, supervised by Zhang Yibai, and escorted by the gold medal team: photography director Li Pingbin; Screenwriters Yuan Yuan, Shing-Ming Ho, Pan Wei and An Wei; Production designer Zhai Tao; Voice guidance Du Duzhi and Shu-Yao Wu; Modeling director Dora Ng; Original music Jianqi Chen; Editing directors Ching-Song Liao and Jinglei Kong.

　 　 　 　　The film will be released on April 28th.

    International Online Henan Channel Report (Jia Qinqin): The shield machine is known as the "king of construction machinery" and is also known as the domestic "pangolin". From introducing foreign technology to independent research and development and exporting overseas, the domestic shield machine has gradually led the world from scratch. In the wave of tackling difficulties in the localization of shield machines, Li Gang, who is currently the deputy director of the technical management department of the shield company of China Railway Engineering Equipment Group, has grown from a technical school student to the top electrical senior technician of shield machines in China after 20 years of experience in electrical engineering.

Li gang da Guo gong Jiang innovation studio photography jiaqinqin

    As a technical school student majoring in electrical engineering, Li Gang went to work in the overhaul factory of the Tunnel Bureau of the Ministry of Railways in 1992, and learned to repair electrical machinery with his master. "My parents are old railway workers and have been digging tunnels all their lives. At that time, 200 to 300 people could only dig tunnels of tens of meters to 100 meters a month, and the safety factor was low. Some workers even died in the tunnels. Nowadays, with the shield machine independently developed by China, a driver and a dozen auxiliary workers can dig more than 20 meters a day, and it is very safe. " Li Gang said that every time he thinks about the hardships of his fathers when they dug tunnels, he is more devoted to technological innovation.

    According to reports, the earliest tunnel construction mainly used artificial steel hammer drilling and blasting, which is a very primitive method. Up to now, full-face roadheader has been used. However, at the beginning, China’s full-face tunnelling machines were all imported, and "foreign shield" once occupied more than 95% of China’s market.

    Li Gang said that in 1997, the Ministry of Railways spent about 300 million yuan to buy two shield machines from Germany for the construction of the Qinling Tunnel on Xikang Railway. "Even such expensive equipment, because it is not tailored according to the geological conditions of the construction area, often stops working during the construction process. Because of the monopoly of technology, foreign experts and technicians try their best to keep China people away when providing maintenance and technical guidance. At that time, my main job was to carry a toolbox for foreign experts. " Li Gang said with a smile that this also gave him an opportunity to observe the process of assembling and debugging machines by foreign experts.

    "In 2002, we established the first national shield industrialization base in Xinxiang, Henan Province, which is the predecessor of China Railway Equipment." Li Gang said that at the beginning, there were only 18 people involved in the domestic research and development of shield machines, and he was one of them. In order to fully understand the shield equipment, the R&D team carried out construction during the day and disassembled, installed and reassembled the equipment at night, taking the road of introduction, digestion, absorption and re-creation.

    In 2007, the "shield machine simulation experimental platform" passed the acceptance of the national "863" plan expert review group. Later, he devoted himself to the manufacture of the first domestic shield and was responsible for the electrical system of this shield. In 2008, the first shield successfully rolled off the production line and was applied to the construction of Tianjin Metro. It was also the first time that a domestic shield was used in "actual combat" and passed through the famous "Porcelain House" and Zhang Xueliang’s former residence. The mission was successfully completed and won unanimous praise. "At that time, we didn’t dare to say that it was made by ourselves at first. We were afraid that the other party wouldn’t believe it, so we said it was a joint venture. Later, after everyone knew it, they said that they didn’t expect our domestic shield to be so awesome. " Li Gang said proudly when he recalled the first domestic shield machine.

Li Gang is testing line photography Wang Wei.

    As he participated in witnessing the process of localization of shield machine, he deeply understood the importance of independent innovation. "Don’t think that technological innovation is a matter of design, research and development and technical personnel. As front-line workers, we also have a lot of work to do in innovation." Li Gang always educates the employees in his workshop in this way at work, and he also practices it himself.

    In November, 2013, the date of the world’s largest rectangular shield, China Railway No.88, which was used in the tunnel construction of Zhongzhou Avenue in Zhengzhou Metro, was coming off the assembly line. During the debugging process, communication interference was encountered, which made people helpless and seriously affected the production progress. Li Gang led the debugging team of China Railway No.88 in the electrical workshop, and after repeated tests, put forward a scheme to filter out foreign waves by adding winding coils, which solved the communication interference problem well.

Li Gang (right) introduces Wang Wei, a domestic shield machine photographer.

    The liquid level sensor, the core component of shield machine developed and manufactured by Li Gang, has broken the monopoly of foreign enterprises for a hundred years, and its performance ranks first in the world, which has been unanimously recognized by leaders and employees in the field of electrical specialty. In the previous innovative design competitions of China Railway Equipment Group, Li Gang and his team won the third prize twice and the second prize once, and also won the title of "Top Ten Technology Model Equipment", which is rare among front-line workers.

    With excellent technology and innovative spirit, Li Gang has successively won the honorary titles of "2015 Locomotive Medal" and "Henan May 1st Labor Medal" from the All-China Railway Federation. In 2016, the country named the No.436 shield machine after the advanced figure name "Li Gang".

    Chang Xiaolin, Li Gang’s apprentice, said: "Master has not only made many achievements and won many awards, but also has no reservations about technology. He often tells us that we should not only learn the superficial knowledge, but also solve the problem and do the best in every little thing."

    From the beginning of "1", China Railway Equipment opened the door of shield localization. Nowadays, the shields manufactured by China Railway Equipment are not only used in the construction of subways, mountain tunnels and water conservancy projects, but also go abroad and show their talents in international markets such as Singapore, Malaysia, India and Lebanon.

On the Jiajin Mountains, explorer Wallace Chung and New Zealand explorer Josh James experienced extreme weather changes from clear Wan Li to heavy snow to fog in a short time. The journey they have traveled is only a short part of the arduous long March of the Chinese Red Army of Workers and Peasants. Here, on average, one Red Army soldier fell every 100 meters.　

Together with international explorers, we can experience the double test of the extreme environment on the body and spirit, and feel the indomitable quality of the revolutionary predecessors. The documentary "The Journey of the Brave" of the Red Road adventure experience was broadcast on Tencent video on November 9. Zhu Lexian, one of the chief producers of the works and the head of A4 Studio of Tencent’s online video program content production department, expressed the hope that through the cooperation of Chinese and foreign teams, the elements of wild adventure will be integrated and new expressions of works with red themes will be explored.　

Real experience creates a "sense of experience"　　

The combination of red theme and wild adventure has made many viewers shine. Zhu Lexian told Variety Daily that the field survival works, as one of the important categories of foreign documentaries, have always been concerned by the Tencent video documentary team. How to integrate it with China’s history, culture and geography, and make typed works that meet the taste of China audience is a topic for team thinking. In 2020, the team began to plan the works with the theme of Red Road. When discussing the innovative direction of the program form, some members suggested that the revolutionary history of China should be used as the creative source of the field adventure documentary, trying to launch new types of works.

"In the past 100 years, the Communist Party of China (CPC) people have worked hard to explore. Among them, in the first half of the 20th century, the Northeast Anti-Union at the northern end of China and the Red women soldiers at the southern end all fought in extreme environments and experienced physical and mental tempering. With the support of simple beliefs and firm beliefs, they have gone through a glorious course, which is worth writing and recording. " Zhu Lexian said.

Josie James is the host of the Discovery Discovery Channel adventure program and a world-renowned explorer with rich experience in field survival. He and explorers such as Wallace Chung, Shawn Dou, Viann and Yan Xujia will "cross" five dangerous places in China’s revolutionary history, such as the Long March of the Red Army of Workers and Peasants, the bitter struggle of the Northeast Anti-Union Snow Country, the red women soldiers’s move to the jungle, and the rescue of the Flying Tigers by Dongjiang column. Zhu Lexian introduced that the combination of programs and field adventures can improve the richness of content and present this history more vividly.

Through Journey of the Brave, the audience saw Josie’s altitude sickness while climbing Jiajin Mountains. The rapidly changing weather made the two guests lose their way in the uncomplicated terrain … The real experience lens allowed the audience to take risks with the guests in a sense.

In addition, the knowledge of field survival shared by Josie in the program has increased the interest and visibility of the works. According to reports, as a part of Tencent’s video "Three Good Tracks" (that is, "Live Well", "Study Well" and "Exercise Well"), the knowledge sharing and historical popularization in "Journey of the Brave" will be the key works of "Study Well" track, which will help the audience gain the wisdom and strength of history and inherit and pay tribute to valuable culture and beliefs.

International communication of Sino-foreign cooperation

In January, 2021, Journey of the Brave was launched in Yang Jingyu Miying, Hongshi National Forest Park, Jilin Province. The shooting team from New Zealand and the Chinese team went to Tiannanhaibei, China for a three-month field shooting.

At the beginning of the text planning, the two sides have a clear division of labor. The Chinese team systematically sorted out the basic contents such as shooting location and route, and the international team put forward the first draft suitable for global communication. On this basis, the Chinese team integrated the historical content into it, adjusted and revised it through several on-site discussions, and finally determined the shooting plan.

The field survival programs started earlier in foreign countries, with a large audience, forming a stable creative system and creative environment, and the international team has rich experience in shooting. Zhu Lexian bluntly said, "The international team let us see the role of the documentary industrialization system. The overall shooting control of the international team is very professional, with a strong sense of time, and the shooting efficiency and work completion are relatively high, which are worth learning. "

During the three-month filming, the two partners are also influencing each other. Although the international team doesn’t know much about the revolutionary history of China, it doesn’t prevent them from feeling the outstanding spirit of heroes through filming. On the Jiajin Mountains, when Josie listened to Wallace Chung’s introduction, when the Red Army soldiers wore light clothes and passed through the dangerous snowy mountain road, he couldn’t help feeling: "What lofty ideals they have to have in order to move forward in such an environment!" Zhu Lexian said that human beings’ thinking in the face of difficult environment is common all over the world. On this basis, the Journey of the Brave combines historical materials to build a three-dimensional vivid and deeply empathetic video work.

On the whole, The Journey of the Brave adopts a more western creative mode, and the Chinese team is more in control of content and quality. This is also for the future international communication. On November 28th, "The Journey of the Brave" will be launched on the Discovery Discovery Channel International TV Network, and spread worldwide in multiple languages.

Dialogue Zhu Lexian: resonate with the audience with real details

Variety Daily: What designs are used to attract young audiences?

Zhu Lexian:Mainly by personally measuring and feeling the real historical environment, it can arouse empathy and resonance to attract young audiences, and immerse the audience through the sense of substitution. At the same time, this is also the reason why we choose the outdoor adventure mode-this mode is popular with young audiences both in the west and at home. We added the knowledge of field survival to it, hoping to make the audience feel the difficult living conditions of the Red Army, Northeast Anti-Union and Red women soldiers, and impress the audience through real details and feelings.

Variety Daily: What are the criteria for choosing the shooting location?

Zhu Lexian:First of all, it should be representative in the historical journey, and second, it should meet the standard of "the most difficult environment". In addition, we hope that the shooting locations can be relatively evenly distributed in China. To this end, we invited Li Junru, former vice president of the Central Party School, and other experts to help screen. The selected location not only has a clear context in the history of the Communist Party of China (CPC)’s struggle, but also has a representative story.

Variety Daily: How does the creative team choose the participating guests?

Zhu Lexian:Due to the theme, we also have comprehensive considerations when inviting guests. The first is whether the guests are willing to participate in the form of survival in the wilderness, whether they can face the dangers that may be encountered during the challenge and complete the challenge. Secondly, based on the consideration of international communication, guests need to have certain English communication skills and be able to communicate with Josie and the international team. Therefore, most of the invited guests have outdoor sports experience. For example, Shawn Dou is a rock climber, and Wallace Chung likes diving, all of which have a certain physical reserve and skill training foundation.

Variety Daily: Is there a big creative difference between the red-themed documentary and the works of life and nature?

Zhu Lexian:I think even the works with red main lines can still be represented by living scenes, or by the way closer to young users as adopted in The Journey of the Brave, which is also an ongoing creative attempt.

Image source: "The Journey of the Brave" official blog

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　　On August 25th, we walked into the neighborhood complex "Tianfu House" in Xinfeng Community, Datong Town, qingbaijiang district, and an elderly dance team was rehearsing in the dance studio. "With this dance studio, we don’t have to practice in the sun on a hot day, which greatly facilitates and enriches our amateur cultural life … …” Aunt Zhang, a resident, told the reporter that her grandson was still learning to draw in the morning classroom next to her.

　　(Tianfu House, Neighborhood Complex of Xinfeng Community in Datong Town)

　　Community dance studios and morning classrooms, which are not uncommon in urban communities, are a great thing for Xinfeng community. Yang Tao, deputy secretary of the Party Committee and secretary of the Disciplinary Committee of Datong Town, said that the community is centered on Jintong Hua Ting Community, where tens of thousands of resettled residents of Datong Town live. For these ‘ Move into a new house ’ For the villagers, let them ‘ Live a good life ’ , is a subject of Datong town community development and governance.

　　Where does the breakthrough start? Xinfeng community chose to make a fuss about guiding residents to participate in community affairs decision-making and community resources utilization.

　　Build the core and open 4000 "birdcages"

　　In Jintong Huating Community of Xinfeng Community, there are 22 high-rise buildings with more than 30 floors. Since moving in in 2017, none of 4,628 households have installed outdoor protective fences, which has always maintained a simple and refreshing facade appearance, and there has never been an accident of falling objects from high altitude, which is both safe and beautiful.

　　How is this done? Chen Shaohou, secretary of the Party Committee of the community, told the reporter that the community took the Party Committee as the Core and built a joint management model.

　　In 2017, Xinfeng Community implemented the optimization project of organization and mobilization system, and built a "1+3+N" governance model, in which "1" is the community party committee as the core, "3" is the community industry committee, property service center and social organizations as the main body, and "N" is the participation of unit directors, building directors, volunteers, grid workers and self-organization to form party member. From the party group to the branch meeting in party member, the topic of the meeting is no longer just theoretical study, but more about collecting, researching and solving specific affairs, and the simultaneous construction of grass-roots party building and community autonomy grid has been completed with the fastest speed.

　　(Xinfeng Community Comprehensive Management Center of Datong Town)

　　Not only that, the community branch played a leading role in the series of work before the community moved in. By actively winning the support of the street party Committee and the construction owner, the security system of the community was upgraded in an all-round way, and a series of "black technologies" such as portrait recognition, car chip, electronic fence and distress bracelet were introduced, which greatly enhanced the safety confidence of residents. Then, the branch issued an initiative, the industry committee discussed the rules, the Council formulated the convention, and the property management agency assisted in urging, guiding not to install the fence or to choose the built-in way of the fence. After moving from the countryside to the city, the residents did not put themselves in a "birdcage", but shared a broader skyline.

　　Service sinking to create a "15-minute convenience life circle"

　　This year, Datong Town moved the convenience service center located in the industrial park to the entrance of Jintong Huating Community in Xinfeng Community, and carried out a series of people-friendly transformation, which not only continued the high-quality work efficiency, but also made the environment better.

　　Together, the offices of the two committees in Xinfeng Community, including workstations for receiving the masses, have a total area of less than 40 square meters, while the neighborhood complex in Xinfeng Community — — "Tianfu House" has a total indoor area of 4,400 square meters.

　　Walking into the "Tianfu House", you will see not only the exquisite bamboo woven wall, but also accessories such as Sichuan Opera masks, blue and white porcelain plates and paper kites hanging on the wall. The embellishment of these traditional elements makes the whole space more abundant.

　　However, the biggest change is that the high window counter is gone, replaced by a dozen simple and exquisite wooden tables and chairs, and there is no barrier between the people and the staff, achieving "zero distance".

　　(Xinfeng Community Convenience Service Center)

　　Li Yuanhai, a resident who came to work, has a high recognition of the changes in the environment. "I used to work at the window and felt constrained. Now I am very relaxed and closer."

　　The community has also used Electronic thinking to open e-pocket network platform, integrated community public resources in a commercialized and market-oriented way, launched more than 70 community service projects, built an "excellent life electronic shelf", integrated community government affairs and aggregate payment functions, and opened a "green channel" for community merchants and residents for convenience services, social public resources and various people’s livelihood concessions, thus building convenient, fast and rich life services and support. In addition, community residents can also meet in groups to participate in activities through the E-Pocket Platform, so as to close neighborhood relations and promote community harmony.

　　In addition, the creation space of social organizations in Datong Town has also landed in Xinfeng Community, which is also the first township (street) level social organization incubator in Qingbaijiang. Since the establishment of Zhongchuang Space, it has adopted the way of "government-led+social professional services", invested more than 2.5 million yuan in project funds, attracted 24 social organizations and signed 43 projects; Guided the establishment of community micro-funds and self-organized activity funds, and funded 86 residents to organize more than 40 activities, further expanding the space for social organizations and self-organizations to participate in community development and governance.

　　The continuous improvement of various functions and the continuous promotion of community projects are changing the community little by little and improving the happiness of community residents.

　　One household, three votes, perfecting democratic mechanism

　　There are dense vegetation in the community, swimming in the paths between tall buildings, stone benches for people to rest, pavilions for enjoying a cool rest, and various fitness equipment … … Public facilities are arranged in a patchwork way.

　　These livable life scenes all benefit from the "one-household-three-vote" working method of "one-vote asking demand, one-vote asking strategy and one-vote asking effect" innovatively introduced by Xinfeng community. No matter the realization of democratic rights or the commitment of public responsibility, everyone’s Opinion is respected to the maximum extent.

　　(The "C·E·O" model of Xinfeng Community in Datong Town helps to build and share)

　　Through the work method of "one household, three votes", Jintong Hua Ting Community has transformed the overhead floor of some buildings, making them into interesting spaces such as sunset harmonious space, help group, Tong Meng space, children’s fantasy space, colorful dancing and chess gathering, which are available to all residents for free.

　　Grandpa Chen, a 60-year-old resident, sincerely said, "Our neighborhood is good now, so it’s ‘ Chess together ’ Playing chess and chatting in the afternoon not only kills one’s time, but also enhances neighborhood relations. Looking up, you can see the warm pictures on the wall and the green landscape outside the window. The air is fresh and comfortable. " Gradually, "chess gathering" became the most lively place.

　　Projects such as the transformation of "Tianfu House" and the non-profit property management of Jintong Hua Ting Community have been successfully implemented through "one household, three votes", and the governance effect of 1+1>2 has been achieved, which has been welcomed and supported by the masses. Through the WeChat platform and the public electronic terminal of the Neighborhood House, residents can make a star rating call on the project implementation effect, guide residents to supervise and follow up, give full play to the guiding role of "praise and bad review", and promote the implementation of community development and governance to every resident, so that all residents can truly become managers, executors and beneficiaries of community public affairs and public resources.

　　Xinfeng Community, through the "C·E·O" model of community governance, has guided all aspects of the community and stimulated its vitality. In the process of urban organic renewal, it has turned the traditional resettlement community into a high-quality harmonious and livable community, and initially realized the further expansion and extension of the living space in the Free Trade Zone.

1905 movie network news The Qingming movie is being shown. On the first day of release, the recommendation rate of Weibo Big V was 99%, and Weibo scored 8.1, which made a good reputation. The industry praised the quality of the film, saying that the film tells the story of the original sin of an oriental family through the ultimate emotional expression on the basis of realism. Suspense has excellent texture and the theme is thought-provoking. The newly released word-of-mouth feature has been well received by the audience. Many viewers said that they were touched by the kinship reflected in the film, and the choice and entanglement between "love and law" also brought a lot of realistic thinking. There are also viewers who combine real social events to analyze the topic of juvenile delinquency discussed in the film, dig deep into the core of the film story, and have conflicting views and frequent golden sentences. Today’s movies also release a series of relationship posters, with the main characters in pairs, truth and illusion, way out and dead end, self-help and self-destruction. At present, everyone is facing their own dilemma. In this abyss of love and law, no one can get away with it.

Many experienced directors, screenwriters, producers, actors, etc. all said that the film was of high quality and the solid production was widely recognized in the industry. Directors and screenwriters dig deep into the core of the film story, saying that the film is "a blow to the entangled parent-child relationship", which makes people wonder whether the family is a harbor or a trap. Sui Shanshan, vice president and producer of Aiqiyi, analyzed the film from the creator’s point of view, saying that the suspense texture of the film is good and the script is solid and interlocking. Many people in the industry also said that the realistic theme of the film was thought-provoking, intertextual with real social events, and the ending was unexpected and embarrassing. As for the redemption and fetters between family ties described in the film, they all expressed that the emotional concentration is off the charts and full of stamina, which "makes people unconsciously immerse themselves in it".

The film’s extreme discussion on the relationship between parents and children in the East has also caused many parents to think deeply. Among them, actor Sean expressed his unique feelings of watching movies as a father. He said that the tragic ending of Zheng Xiaotong’s family in the film made him reflect on his educational methods as a father. "Parents need to have a bottom line in their love, and they need to give their children the right to try and make mistakes alone.". As the first film focusing on juvenile delinquency in 2024, the storyline in the film is combined with the actual juvenile delinquency, which also brings many viewers realistic thinking about juvenile family education on the basis of suspense plot.

In the special clip, many viewers shared their feelings at the first time after watching the film. An audience member said that Xiao Yazhen (decorated)’ s sacrificial maternal love, which was murder in order to exonerate her son, was embarrassing. "Love can’t break the bottom line of the law". Some female viewers even said that they wanted to say to the mother who died for her son in the film and the mother of Qian Qian in reality, "I hope that mothers love themselves before loving their children. You can be a mother, but don’t be a mother. You don’t have to carry everything alone. " There are also children who share their unique feelings of watching movies from the perspective of children. A little boy shed tears and said, "I am especially grateful to my mother." The childlike and sincere speech is touching. Even more, three generations of grandparents and grandchildren came to watch movies as a family unit, and the three generations had different feelings of watching movies, saying that "movies are suitable for the whole family to watch together." There are still many viewers who rave that the film "really dares to shoot" and "the unexpected ending of the Handan incident has been waited in the film", indicating that the film has certain educational significance. After the film was released nationwide on April 3, the word-of-mouth continued to ferment, and the topic discussion was frequently broken, which became the first choice for many viewers to watch movies in Qingming.

The movie "The yellowbird is behind! Directed by Wei Xu and Wenchao He, supervised by Tao Hong, starring Tao Hong, starring Chen Yutong and Yang Yeer, starring Tu Songyan and Fan Deng, with Huang Xiyan as a surprise. The film is showing.

Jackie Chan makes an appearance at the Seoul press conference

[Click to view the high definition gallery of the premiere]

　　　 Movie Network NewsJackie Chan’s self-directed and self-starred action blockbuster is about to land in South Korea. On the 18th, Jackie Chan participated in the film press conference held at the Lotte Hotel in Seoul, South Korea. Jackie Chan not only expressed his feelings of visiting South Korea again, but also told the behind-the-scenes story of "Zodiac" and praised his partner Kwon Sang-woo’s excellent acting skills. He also repeatedly emphasized his gratitude to Korean fans. Kwon Sang-woo, on the other hand, failed to attend the press conference because of the filming of the TV series, and could only appear on the red carpet at night. South Korean artists such as Park Zhenying, Miss A, Chun Hye Bin, and Oh Hyun-kyung also came to join the VIP screening.

Jackie Chan does not consider himself an action actor, denies retiring and will continue to make action movies

　　　 At the meeting that day, Jackie Chan’s action skills became the most important topic. In "Zodiac", Jackie Chan also performed a variety of action skills, including fighting with opponents, climbing up and down from high-rise walls, jumping from helicopters to free fall, and so on. In particular, the scenes of using parachutes to fight enemies and vicious dogs were impressive. Regarding the title of "action actor", Jackie Chan said disapprovingly: "There are many action actors who are short-lived, often disappear quickly and are forgotten by the audience. I am not an action actor, but an actor. In the past 10 years, I have also tried all kinds of roles, not only action acting. I hope everyone can also see me as an action actor, not just an action actor."
However, Jackie Chan’s acting skills cannot be ignored. Jackie Chan revealed that when filming the scene of snatching the beast head over the volcano, he really encountered a volcanic eruption, "At that time, it was possible that he would really die, but on second thought, he felt that if he really died like that, it would be very handsome!"

Jackie Chan does not need to stand in for dangerous actions

　　　 Relying on previous rumors of retirement, Jackie Chan clarified: "I will continue to make action scenes until I can’t make them. But’Zodiac ‘should be the most action scenes and the most intense and really high-intensity work of all the films I have ever made. In this sense, it can also be said that’Zodiac’ is my last action movie." "Zodiac" has a universal theme. Although every country cries out that global culture is one, it always avoids the history of looting other countries’ cultural relics in war. Jackie Chan also hopes to send a positive message through this film, calling for "the return of goods to their original owners".

Next page: Jackie Chan praises Quan Xiangyou’s acting skills and professionalism

　　On April 1, 2024, the brand was officially listed. The new car is a modified model of the old N7. The appearance is optimized, and the comfort configuration, intelligent driving function and chassis of the whole car are upgraded. The power continues to be equipped with a single-motor or dual-motor four-wheel drive system, and a single-motor entry-level model is introduced. The new car has launched four models, with the price range of 239,800 ~ 329,800 yuan.

　　The overall modeling of the new Tengshi N7 still follows the family π-Motion potential energy aesthetic design language, and incorporates a large number of design concepts displayed by the concept car of INCEPTION, but the details have been adjusted. Specifically, the new Tengshi N7 cancels the "beard"-like broken belt-type mid-net daytime running light strip on the old models, and replaces it with a horizontal willow-shaped light strip that is more in line with mainstream aesthetics, which is more harmonious with the headlights.

　　The lower bumper is simplified, and the closed grille design commonly used in new energy vehicles not only improves the visual beauty, but also optimizes the wind resistance coefficient. The bottom is a blackened trapezoidal grille with triangular side grilles on both sides, which further stretches the lateral visual width of the whole vehicle and is more sporty than the old models. In detail, the laser radar is located at the cover plate of the fog lamp, and the high-brightness black plastic material is used to integrate the laser radar with the front face to enhance the overall sense of the vehicle.

　　The brand-new model adds a brand-new Xizi blue color scheme, while the side of the car body maintains the design of the old model. The back-sliding hunting SUV presents a strong sense of movement, and the addition of the hidden door handle also helps to reduce the wind resistance coefficient. The backward-inclined roof line improves the dynamic effect of the new car. In terms of body size, the length, width and height of the new car are 4860/1935/1602mm and the wheelbase is 2940mm respectively.

　　The shape of the rear is still the same. The arrow-feather penetrating taillights, large-size hollowed-out tail fins, segmented diffusers, etc. fully show the momentum of hunting SUVs. The use of a large number of horizontal lines makes the rear of the new Tengshi N7 look layered. The new car has brand-new two-color 7-spoke semi-closed wheels, and is equipped with a suspended logo that is rare in the same class, and the sense of advanced is obviously improved.

　　The new Tengshi N7 continues the interior design style of the current model. The suspended 17.3-inch central control large screen and the double 10.25-inch full LCD instrument panel and co-pilot entertainment screen designed symmetrically on both sides enhance the sense of science and technology. In detail, the left and right tuyere touch panels of the old models were cancelled, and a multimedia screen was added at the center hand pillow in the back row.

　　In terms of intelligent cockpit, the new Tengshi N7 is equipped with Tengshi Dink intelligent car system, which supports four-zone voice recognition wake-up, visible and speaking, facial recognition, 5G network, application store, car KTV and mobile APP remote control. In addition, there are dozens of functions such as meditation mode, intelligent voice multi-car communication, travel assistant, car encyclopedia, personalized information and so on.

　　In terms of comfort configuration, the new car will continue to be equipped with panoramic awning with boundless horizon+electric sunshade, 56-inch AR-HUD head-up display, Divale audio as standard in the whole system, dual wireless charging areas, multi-color intelligent color-changing atmosphere lights, 5D cloud ergonomic seat, advanced Nappa leather, suede roof, crystal gear handle and negative ion active fragrance system. And new functions such as electric four-way adjustment of steering wheel, streaming media inner rearview mirror, automatic anti-glare of outer rearview mirror, heating, ventilation, massage, electric adjustment and electric one-button down of rear seats are added.

　　In terms of intelligent driving assistance, the self-developed "Eye of God" high-order intelligent driving assistance system includes 33 sensors including high-sensing, ultra-long-range and high-precision dual laser radar, high-precision millimeter-wave radar and 8 million forward-looking camera, and 254 TOPS arithmetic intelligent driving chip, which can realize the functions of actively overtaking in case of low-speed vehicles, actively slowing down in case of traffic jams, actively avoiding in case of construction sections, intelligently changing high-speed on and off ramps, and stably passing through large-curvature corners.

　　The new Tengshi N7 adopts the front double wishbone independent suspension and the rear five-link independent suspension, and is equipped with FSD variable damping suspension, with a series of black technologies such as iADC intelligent drift control system, iCVC intelligent vector control system, CTB battery body integration technology and battery pulse self-heating technology. However, the Yunnian -A intelligent air body control system of high-equipped models was upgraded from single-cavity air suspension to double-cavity air suspension. Through the precise sensing technology of Yunqi, Yunqi Intelligent Computing Center makes quick decisions, outputs precise control strategies, and controls the air spring intake and exhaust, shock absorber solenoid valve, etc. to adjust the height and damping, so as to realize the dynamic adjustment of body control and improve vehicle handling.

　　The new Tengshi N7 continues to be built based on E platform 3.0, adopting an eight-in-one electric powertrain, in which the maximum power of the single-motor version is 230kW and the maximum power of the dual-motor four-wheel drive version is 390kW. In terms of battery life, it is equipped with a power battery with a capacity of 91.392kWh, and two battery life versions are available. The battery life of the two-wheel drive version is 702km, and the battery life of the four-wheel drive version is 630km. The brand-new Tengshi N7 has simultaneously introduced a single-motor power system with TZ200XYS motor, with a maximum power of 170 kW and a maximum speed of 210 km/h..

　　The new Tengshi N7 is equipped with a lithium iron phosphate battery pack with a capacity of 91.3 kWh or 71.8 kWh, and supports the dual-gun fast charging technology. The maximum charging power of a single gun is 150kW, and the maximum charging power of two guns is 230kW, which enables it to achieve a maximum battery life of 350km in 15 minutes and a battery life of 100km in 4 minutes. In addition, it also supports the maximum external discharge power of 6 kW.

Multi-faceted analysis of bank mobile banking transfer limit

In today’s digital financial era, mobile banking has become one of the important tools for people’s daily financial transactions. However, different banks have different limits for mobile banking transfer.

First of all, large state-owned banks, such as Industrial and Commercial Bank of China, usually have higher mobile banking transfer limits. For ordinary customers, the single transfer limit may be between 50,000 yuan and 200,000 yuan, and the daily cumulative transfer limit may reach 500,000 yuan. For some VIP customers or customers who have passed additional certification, the limit will be increased accordingly.

Take China Construction Bank as an example, its mobile banking transfer limit is different according to customer types and authentication methods. For customers who have not started SMS verification, the single transfer limit and daily cumulative transfer limit are relatively low; For customers who use SMS authentication or dynamic password cards, the limit will be increased. The specific data are as follows:

Joint-stock banks, such as China Merchants Bank, also have clear regulations on the transfer limit of mobile banking. Generally speaking, the average customer’s single transfer limit may be around 50,000 yuan, and the daily cumulative transfer limit is around 200,000 yuan. However, if the customer has opened the professional version of the transfer function and passed the relevant certification, the limit can be greatly increased.

In addition, the mobile banking transfer limit of some city commercial banks and rural commercial banks may be relatively low. This is mainly due to the influence of its business scale, risk control strategy and technical input. For example, the average customer of a city commercial bank may have a single transfer limit of 20,000 yuan and a daily cumulative transfer limit of 50,000 yuan.

It should be noted that the bank’s mobile banking transfer limit is not static. Banks will make adjustments according to factors such as market environment, risk status and customer demand. At the same time, customers can also go to the bank counter, online banking or mobile banking client to make relevant settings and applications to meet their own transfer needs. However, while enjoying convenient services, we should also pay attention to the safety of funds and protect personal account information and transaction passwords.

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