TVB commercial war drama ＂Corporate strongman＂ ended perfectly! Linking Greater Bay Area to Create a New Mode of Hong Kong Opera

Tencent Video and TVB jointly produced the commercial war drama "Enterprise Strongman", with a total of 25 episodes. At present, Tencent video members have ushered in a grand finale. Produced by Marco Law and starring artists such as Chen Hao, Tan Junyan, Zhang Xiwen, Gong Jiaxin and John Chiang, the drama focuses on the rapid development of the logistics industry in the past decade, tells the different choices of different groups in the face of market opportunities and challenges, and staged a commercial war drama in the logistics industry.

Behind the commercial war is full of human feelings, and the little people are happy and sad to show the original flavor of Hong Kong opera.

TVB drama series has always been good at shooting group scenes, and "Corporate strongman" has also inherited this feature, satisfying the intense and exciting commercial drama, and at the same time, making the main body of the story lean towards ordinary people as much as possible.

Zhao Kai, played by Chen Hao, is the boss of a logistics company, and his running water is tens of millions, but this does not affect his down-to-earth entrepreneurial road. Zhao Kai believes that "a good entrepreneur should be people-oriented", and he always keeps in mind what his father said: "The most important thing in an enterprise is people".

Xu Daoming, played by Tan Junyan, is his opponent who is also an enemy and friend, and often has differences. The core of their contradiction lies in that Xu Daoming believes that employees are vassals of the company, but Zhao Kai firmly believes that "employees can grow with the company and talents are the soul of a company." He often stands up as a boss to protect the interests of employees, guarantees that he will not lay off employees, and even gives shares to grassroots employees, all of which make this drama pay more attention to ordinary people at the bottom.

Fang Fang, played by Gong Jiaxin, was originally a small boss of a courier station. The group she represents is a small person. The daily concern is that sending a piece can earn a few cents. The biggest crisis in business may be being complained by customers. She and the vast number of couriers behind her can best resonate with ordinary people. Fang Fang lives in Haitang Town, where people are closely related to each other. Many people grew up watching Fang Fang, and the warmth and warmth between neighbors are what we used to see in Hong Kong dramas.

There are both commercial war dramas on the tall side, and we can also pay attention to the sufferings, joys and sorrows of small people in a grounded way. Multi-dimensional expression can meet the different preferences of different audiences. "Enterprise strongman" is based on realism, concerned about the changes in the world, and completely exposed the major events and minor feelings of the logistics industry from top to bottom.

The rise of female roles, business and love win-win.

In the contemporary context, women are independent personalities who can control their own destiny, and female roles are no longer "edged green leaves" in film and television dramas, but pursue that every role is flesh and blood. Even if it is a love scene, it is no longer hard to sprinkle industrial saccharin, but based on strong logic.

There are also many emotional entanglements in "Enterprise Strongman", but each pair of CP is very clear, and the concept of love is very advanced.

Song Qiao, played by Zhang Xiwen, was originally Zhao Kai’s wife. They broke up peacefully because of different life plans. There is no drama of dog blood, just because "two people have only one car and want to go to different destinations, so one of them has to get off first".

After breaking up, Song Qiao and Xu Daoming came together by chance, but they were "undefined". Although they comforted each other, they were not boyfriend and girlfriend.

This kind of emotional mode depicted in "Enterprise Strongman" is common in reality, but not common in Chinese dramas, but it is extraordinarily bold and frank.

After Zhao Kai met Fang Fang, they fell in love. One is the "overbearing president" and the other is the "courier sister". They are originally from different classes, but they never get along with each other, not like they used to be in the "hegemony literature".

Zhao Kai has recognized Fang Fang’s working ability more than once, praising her for "having enthusiasm for her work and having light in her eyes", "a few words can appease the courier" and "she will become a female entrepreneur in the future", which is enough to prove that Zhao Kai really appreciates Fang Fang, and the affection between them was established on the basis of equality from the bud.

Fang Fang has never concealed her ambition for her career. Whether in her career or in love, she has never been a "fool", but she is truly independent, discerning and decisive. Every decision made by Fang Fang is ahead of schedule, from joining the "Generation Logistics" at the beginning of the drama to persuading Zhao Kai to cancel the contract with other franchisees. For Zhao Kai’s feelings, it is also from appreciation to being able to provide assistance to Zhao Kai until they are evenly matched.

This kind of feeling is the mature love between adults, which has both lingering attachment and mutual support. This time, "Enterprise strongman" has achieved the integration of love into business, without weakening the business drama because of love drama, and at the same time, it has also achieved innovative portrayal of female roles in the new era, focusing on sincerity in all aspects.

Linkage bay area innovation model,“unusual result"Industry opening themenew chapter

As a commercial war drama, Enterprise strongman broke the inherent mode of similar dramas in the past and put forward many innovations.

In the past, the story background of Hong Kong dramas was mostly in the local area, but the action track of the role of "Enterprise Strongman" was not only in Hong Kong, but also frequently traveled to and from Guangzhou, Shenzhen and Dongguan, connecting the whole Greater Bay Area with story lines, and often mentioning other provinces and cities in the Mainland. The timeline of the series is from 2010 to the present. In the past ten years, it happened to be a period of rapid development in Greater Bay Area and a golden period of rapid development in the logistics industry. Many changes have taken place in our society and even the whole world.

Zhao Kai’s business philosophy is inseparable from the social changes in reality. He knows that "every province, city and township in China is developing at a high speed." What "Generation Logistics" has to do is to "connect all places together with logistics." As an entrepreneur, his vision is far beyond those businessmen who cheat for the benefit in vanity fair. He can see that "a country must make the best use of its talents, make the best use of its materials, make the best use of its land, and smooth the flow of goods", and what he wants to do is to realize the "smooth flow of goods" for the whole country, which is the consciousness that a conscientious industrial entrepreneur with social responsibility should have.

As a new industry, logistics has not risen for a long time. Enterprise strongman is the first Hong Kong drama focusing on this industry. The drama reflects Zhao Kai’s entrepreneurial history in the past ten years by presenting the operating situation of "Generation Logistics", and also records the characteristics of the times with a lot of space.

From a macro perspective, the innovative thinking of Enterprise Strongman is of extraordinary significance to the ecology of Hong Kong drama. In addition to entertaining the public, film and television plays also have the important functions of witnessing history, reflecting social features and recording changes in social environment. When we pursue the drama, we can not only see the ups and downs of the characters in the drama, but also project our own experiences and review the changes of the times.

From this point of view, TVB has been keeping up with the pace of the times, shooting film and television dramas that are most in line with the current social environment, conveying the unique charm of Hong Kong dramas, and creating works that the audience really likes and has value. Thanks to the linkage of geographical advantages and Greater Bay Area, how can it not be a valuable attempt to combine Hong Kong dramas, which are good at efficient narration, with the mainland film and television drama industry with huge volume, to exchange and create a win-win situation?