Faye Fei responds to the dissolution of the band to fulfill each other, Yang Zongwei and Feng Timo sing cool

Last Saturday, Zhejiang Satellite TV’s 2018 large-scale music speculation and reasoning program "Priya" aired its sixth program. In the program, two original singers, Faye Fei and Yang Zongwei, were their own model singers and told the audience stories with music. Faye Fei revealed his heart for the first time, saying that the band’s dissolution was a mutual fulfillment with his former teammates. Yang Zongwei said that he was not easy to be imitated and was "slapped in the face", so he had no choice but to accept the push-up punishment.

Faye flies first to talk about the dissolution of the orchestra, and the members of the orchestra should be their true selves

On Saturday’s show, Faye Fei confused the audience with a different singing style from the CD. In the second round of singing, she was even eliminated by one vote, scaring the members of the guessing panel present. And Feng Timo also appeared in the ranks of Faye Fei’s model singers to express her love for Faye.

Faye Fei also responded for the first time to the controversy of the band that caused a heated discussion on Weibo. Faye Fei said that on the road to the future, everyone has their own way to become. When he becomes himself, he will find a better spark in the intersection of each other. Now the band has reached the time when each other must fulfill each other, and each member needs to become his true self.

Yang Zongwei was questioned by "top musician" and was almost eliminated. He sang "Cool" with Feng Timo

Another original singer, Yang Zongwei, also encountered challenges on the show. When he said that he had not encountered anyone who sang like him so far, the host Chen Huan said that there is a strange circle in the show. Generally, those who are full of confidence and feel that no one is like them will eventually meet a model singer with a higher score than themselves. As expected, the model singers sang almost uniformly, not only successfully deceiving the members of the guessing group present, but also making Yang Zongwei himself questioned by "top musicians" Zhang Yu and Huang Guolun, and almost encountered a crisis of elimination during the singing process.

And such a confusing situation also made the members of the guessing team place bets on whether they could guess Yang Zongwei’s location correctly. The witty Feng Timo successfully guessed correctly with his intuition and got the opportunity to sing "Cool" with Yang Zongwei. The tacit cooperation between the two attracted cheers from the scene.

Music is a weapon that comes with its own power, which can directly shake people’s hearts. Every Saturday night at 21:10, Zhejiang Satellite TV’s 2018 large-scale music speculation and reasoning program Priya "In unison" will take you through the music and let your emotions cross the screen.

How to Show the Eight Masters in Tang and Song Dynasties: Three Exhibition Halls, Dependent on Context

  The article is "the great cause of statecraft, an immortal event", and literature is the most proud treasure in the 5,000-year history of Chinese civilization. On December 2, "The mountain is high and the water is long — — The eight masters’ theme cultural relics exhibition in Tang and Song Dynasties was exhibited in Liaoning Provincial Museum. The exhibition is divided into three exhibition halls, with a total of 115 exhibits (groups) including calligraphy, painting, ancient books, rubbings and ceramics. More than 30 cultural relics in Liaobo met the audience for the first time. So, how are these three exhibition halls furnished and displayed?

  The Paper learned that the first part of "Wen Chui Thousand Years" started from "context". It can be said that "context" is the core of this exhibition, whether it is cultural relics, calligraphy and painting or ancient books.

Exhibition site Shenyang net map

  Exhibition site Shenyang net map

The "Eight Masters Theme Cultural Relics Exhibition in Tang and Song Dynasties" is based on the large poster of "Red Cliff Map" by Chou Ying in Ming Dynasty, Liaoning Museum Map.

  The "Eight Masters Theme Cultural Relics Exhibition in Tang and Song Dynasties" is based on the large poster of "Red Cliff Map" by Chou Ying in Ming Dynasty, Liaoning Museum Map.

  Stepping into the Liaoning Provincial Museum, "The mountain is high and the water is long — — The exhibition hall of "Eight Masters’ Theme Cultural Relics Exhibition in Tang and Song Dynasties", a large poster whose design is based on the "Red Cliff Map" in Chou Ying in Ming Dynasty, is like a huge scroll of calligraphy and painting, which is slowly spread out. Whether it is a piece of paper, the collection of Han Yu’s poems and poems in the Qing Dynasty, the collection of Mr. Changli from Han Yu’s Zhu Wengong School in Song Dynasty, or the appreciation of Su Dongpo’s poems and paintings on the river with his friends in the book trail, it makes the audience step by step approach the eight masters in Tang and Song Dynasties simple and detached.

Photo courtesy of Liaoning Museum: Collection of Mr. Changli of Zhu Wengong School by Han Yu carved in Song Dynasty

  Photo courtesy of Liaoning Museum: Collection of Mr. Changli of Zhu Wengong School by Han Yu carved in Song Dynasty

  Guan Qiang, deputy director of National Cultural Heritage Administration, said at the opening ceremony of the exhibition on December 2, "The Eight Masters of Tang and Song Dynasties are the peak of China’s literary history, and their advanced ancient prose movement has the dual significance of literary innovation and ideological enlightenment. Promoting and publicizing the literary achievements, life stories and feelings of home and country of the eight masters in Tang and Song Dynasties through cultural relics exhibitions is of positive significance for demonstrating and inheriting the humanistic spirit and value orientation in the traditional culture of the Chinese nation, building socialist core values and enhancing cultural self-confidence. "

Liaoning Daily at the opening ceremony

  Liaoning Daily at the opening ceremony

  Eight famous prose writers in Tang and Song Dynasties, also known as "Eight Prose Writers in Tang and Song Dynasties", are eight essayists in Tang Dynasty, namely Liu Zongyuan and Han Yu, and Ouyang Xiu, Su Xun, Su Shi, Su Zhe, Wang Anshi and Ceng Gong in Song Dynasty. Among them, Han Yu and Liu Zongyuan were the leaders of the ancient prose movement in the Tang Dynasty, Ouyang Xiu and San Su (Su Shi, Su Zhe and Su Xun) were the core figures of the ancient prose movement in the Song Dynasty, and Wang Anshi and Ceng Gong were the representatives of Linchuan literature. Han Yu and Liu Zongyuan are the advocates of the "ancient prose movement", and the wave of ancient prose innovation they have set off has made the old face of poetry development look brand-new. Among the eight great people, there are three Su’s father and son, who are called "Sansu", namely Su Xun, Su Shi and Su Zhe, and they are also known as "three bachelors in one school". Therefore, it can be summarized as "Han Liuou Wang Zeng Sansu".

"Eight Prose Masters in Tang and Song Dynasties"

  "Eight Prose Masters in Tang and Song Dynasties"

  Dong Baohou, deputy director of Liaoning Provincial Museum, said that the Eight Masters of Tang and Song Dynasties are a literary concept. It can be said that it is innovative to present the Eight Masters of Tang and Song Dynasties to the audience in the form of cultural relics exhibition. "In this exhibition, we have a lot of innovations in the concept of curation. There are many national treasures in Liaobo collection, and more than 30 cultural relics meet the audience for the first time."

Photo courtesy of Liaoning Museum in the exhibition hall of "Wen Chui Thousand Years"

  Photo courtesy of Liaoning Museum in the exhibition hall of "Wen Chui Thousand Years"

Photo courtesy of Liaoning Museum at the exhibition site

  Photo courtesy of Liaoning Museum at the exhibition site

  The Paper was informed that the exhibition is divided into three exhibition halls, which are divided into three parts: "a thousand years of literature", "a firm sense of virtue" and "feelings for home and country". Under each part, several units were set up, and 115 pieces (groups) of exhibits including calligraphy, painting, ancient books, rubbings on rubbings and ceramics were exhibited, supplemented by videos and other ways to introduce the literary achievements of the "Eight Masters of Tang and Song Dynasties" and convey their spiritual world.

  For the display of the exhibits in this exhibition, many viewers expressed great care, the design of the exhibition was also pleasing to the eye, and more importantly, there were many famous sites, which was "a feast for the eyes."

  Some people in the art world also said that it is very difficult to interpret the "Eight Masters of Tang and Song Dynasties" with cultural relics or calligraphy and painting. From the works presented, the planning is really careful. "However, the appropriateness of individual exhibits deserves further consideration. If the exhibits are selected more appropriately, they may be more brilliant."

Exhibition hall site. first part

  Exhibition hall site. first part

  Writing for thousands of years: presenting the literary achievements of eight masters in Tang and Song Dynasties

  The article is "the great cause of statecraft, an immortal event", and literature is the most proud treasure in the 5,000-year history of Chinese civilization. In the pre-Qin period, literature had not yet achieved an independent status, and its concepts were also ambiguous and ambiguous. Since the Han Dynasty, it gradually got rid of the vassal status of Confucian classics and became independent, and its aesthetic characteristics were revealed. Wei-Jin period is a "conscious era of literature", the status of literature is gradually recognized, and "Jian ‘an literature" leads for a while. Wei-Jin period was the period when classical poetry flourished and reached its peak. The prose was close to poetry, and poetic parallel prose appeared. Because of the rhetoric piled up, it often affected the content expression, and the voice of style reform was growing louder and louder.

  The "Eight Masters of Tang and Song Dynasties" felt the bad writing style of parallel prose since the Wei, Jin and Six Dynasties, and proposed to restore the style of ancient prose and inherit the prose style of Zhou, Qin and Han Dynasties, which was free, simple and unconstrained. The article did not deliberately ask for flowery rhetoric, but sought profound ideas and beneficial contents to the world. Starting from reality, it advocated the unity of literature and Taoism, that is, "Ming Dow is the place where literature is based". Han Yu’s theory was supported by Liu Zongyuan, followed by six schools in the Northern Song Dynasty. Together, they led the style of writing in the Tang and Song Dynasties into a new era, forming a new literary trend, which made prose re-enter the road of being easy-going and reflecting real life. Since then, the ancient prose of the "Eight Masters of Tang and Song Dynasties" has shone brilliantly, and its influence has continued to this day.

  The Tang and Song Dynasties were the splendid times of China culture, and the Li and Tang Dynasties expanded its territory. Under the background of strong national strength, Tang Wenhua presented a magnificent and inclusive atmosphere. This is also an era of unprecedented active poetry creation, which can be described as bright stars, shining in ancient and modern times. Different from the Tang poetry, which has a wide meaning and a myriad of weather, the paintings in the Song Dynasty are full of chic and heroic spirit, elegant and delicate, gentle and quiet beauty, and have made outstanding achievements. At the same time, the porcelain-making technology in the Song Dynasty has reached a prosperous period.

Part of Zhao Ji's "Ruihe Map" of Huizong in Northern Song Dynasty

  Part of Zhao Ji’s "Ruihe Map" of Huizong in Northern Song Dynasty

  The first part of this exhibition, Wen Chui Thousand Years, consists of three units, namely, context, ancient prose, Take the northern song dynasty’s anonymous imitation of Gu Kaizhi Luoshen Fu Tu, the southern song dynasty’s Emperor Gaozong Zhao Gou’s Book Ma Hezhi’s Painting of Tang Feng Tu, the southern song emperor Gaozong Zhao Gou’s Zhang Cao Shu Luoshen Fu, the song dynasty’s engraving of Mr. Changli’s Collection of Zhu Wengong School by Han Yu, the Yuan dynasty’s engraving of Su Zhe’s Annotated Collected Works of Mr. Ying Bin from Donglai, the northern song dynasty’s Li Cheng’s Painting of Maolin Yuanyao, and the northern song dynasty’s Huizong Zhao Ji.

  Among them, the northern song dynasty’s anonymous "Imitation of Gu Kaizhi Luoshen Fu Tu" painted figures, landscapes, arowana, chariots and horses, sacred objects, and small regular script was written in the blank of the picture. This volume is the only copy of the Song Dynasty in the six volumes of "Luoshen Fu Tu" known at present. The figures are meticulous and vivid, the clothes are elegant, the rocks are mainly hooked and dyed, and the trees are sandwiched with leaves and slightly dyed, which largely retains the artistic characteristics of Gu Kaizhi’s paintings. It was hidden in the Imperial Palace in the early Southern Song Dynasty, handed over by Ye Yue and Xiang Yuanbian in the Ming Dynasty, handed over by Wang Duo and Liang Qingbiao in the early Qing Dynasty, and then entered the Imperial Palace, which was recorded in the sequel to Shiqu Baodi.

  Gu Kaizhi (about 345— 409), the word long kang, small character tiger head, Wuxi people, knowledgeable and versatile, good at painting, figure painting is especially wonderful.

The Song Dynasty Imitation of Gu Kaizhi Luoshen Fu (partial)

  The Song Dynasty Imitation of Gu Kaizhi Luoshen Fu (partial)

  In the Northern Song Dynasty, Li Cheng’s "The Far Cave of Maolin" painted the scenery of summer forests, with overlapping peaks and verdant leaves, the rise of strange peaks and clear forests. The painting techniques are mainly hook, rub and dye, and have not yet shown the typical method of painting. According to Xiang Shui’s postscript in the Southern Song Dynasty, this volume was once hidden by Lu Gongbi, the assistant envoy of Song Yingzong, and was later collected by Jia Sidao, Xian Yushu, Wu Yongcheng, Xiang Yuanbian and Liang Qingbiao, and later recorded in the Qing Dynasty’s imperial palace.

Part of Li Cheng's "Maolin Distant Cave Map" in Northern Song Dynasty

  Part of Li Cheng’s "Maolin Distant Cave Map" in Northern Song Dynasty

  In the Southern Song Dynasty, Zhao Gou’s calligraphy and Ma Hezhi’s painting "Mao Shi Tang Feng Tu" took twelve poems of Mao Shi tang style as the theme, and Zhao Gou wrote poems and Ma Hezhi painted them alternately. The calligraphy is exquisite and the brushwork is old. Painting composition washing practice, concise lines. This volume was collected by Zeng Yi in the Southern Song Dynasty, and was collected by Yan Fenyi, Han Shineng and Xiang Zijing in the Ming Dynasty. In the Qing dynasty, it was collected by Geng Zhaozhong and others, and then entered the inner government, which was recorded by Shiqu Baodi.

In the Southern Song Dynasty, Zhao Gou, the Emperor Gaozong, painted a picture of Mao Shi Tang Feng by Ma Hezhi. The silk book was colored and hand-rolled, with a length of 28.6 cm and a length of 827.1 cm. It was collected in Liaoning Provincial Museum.

  In the Southern Song Dynasty, Zhao Gou, the Emperor Gaozong, painted a picture of Mao Shi Tang Feng by Ma Hezhi. The silk book was colored and hand-rolled, with a length of 28.6 cm and a length of 827.1 cm. It was collected in Liaoning Provincial Museum.

  Zhao Gou (1107— 1187), that is, Emperor Gaozong of the Southern Song Dynasty, whose word was Deji, was in office for thirty-six years. He paid attention to calligraphy and painting, and he worked hard in calligraphy, which had a great influence on the calligraphy of monarch and minister in the Southern Song Dynasty. Another Zhao Gou calligraphy work, Zhang Cao Shu Luo Shen Fu, was also exhibited in this exhibition.

  Zhang Cao Shu Luo Shen Fu is the full text of Zhang Cao Cao Zhi’s Luo Shen Fu when Zhao Gou abdicated and lived in seclusion in Deshou Hall. The style is simple, the brushwork is calm and round, and the brushwork is rigorous and full of charm. The words are not connected with each other and formed separately, but the brushwork is well-connected, and there is still a sense of indifference. In the past, Zhan Jingfeng’s An Introduction to the East Map, Zhang Chou’s The Painting Boat of Qinghe Book, Wang Keyu’s Coral Net, Qing Gufu’s Spectacular Life, Bian Yongyu’s A Collection of Paintings and Calligraphy in the Ancient Style Hall, and The First Collection of Shiqu Baodi were recorded.

In the Southern Song Dynasty, Zhao Gou, Emperor Gaozong, wrote a cursive script of Luo Shenfu, and this script of silk was a handwritten scroll with a length of 27.3 cm and a width of 277.8 cm, which was collected in Liaoning Provincial Museum.

  Zhao Gou, Emperor Gaozong of the Southern Song Dynasty, wrote Luo Shenfu in cursive script, and this chapter in cursive script was hand-rolled, with a length of 27.3 cm and a width of 277.8 cm.

  Collected by Liaoning Provincial Museum

  The collection of Mr. Changli of Han Yu Zhu Wengong School in Song Dynasty is a collection of Han Yu’s poems and essays, compiled by Li Han, a master of Han Yu. There are 30 volumes of prose, 10 volumes of poetry and fu, and 10 volumes of Waiji compiled by Song people. Zhu Xi’s collation of Han Ji is the most important and authoritative version of Han Yu’s literary collection. This Linjiang Military Academy is the superior of the Song Dynasty Military Academy, which can be used to investigate the errors of the Ming and Qing Dynasties. This episode is the old collection of the Qing Palace, recorded by Tianlu Linlang.

"moral certainty" part

  "moral certainty" part

  Decisive Virtue: Telling the Life Experience of Eight Masters in Tang and Song Dynasties

  Everyone in the "Eight Masters of Tang and Song Dynasties" has experienced many vicissitudes and ups and downs several times. Their life experiences are different, but in calm and self-confidence, they all live their true selves. In the vast literature works, there are countless biographies of the Eight Masters, and there are countless comments and expositions on their success or failure. However, from the perspective of history, the articles, life experiences and paintings left by the Eight Masters depict their integrity and openness, show their life trajectory and spiritual outlook, and let people appreciate their height and wisdom in life.

Song Tuo Su Shi's Regular Script Ouyang Xiu's Zuiweng Pavilion

  Song Tuo Su Shi’s Regular Script Ouyang Xiu’s Zuiweng Pavilion

  The part of "Virtue Assured" shows eight units, namely, Hao Jian Xiong Fang, withered Cui Wei, a generation of literate scholars, words without words, touching the place to give birth to spring, Wang Yang Lian Bo, Chao Yi Qun Yan, and unparalleled outstanding figures. — Exhibited on December 22, 2020), Sushi’s Hangshu Yangxian Post in the Northern Song Dynasty, and Sushi’s Xiaoxiang Bamboo Stone Map in the Northern Song Dynasty (February 2, 2021.2.2— — Exhibited in March and February, 2021), Wang Anshi’s Poem as a Running Script by Yuan Xianyu, Wang Anshi’s Poem as a Running Script of Mozhu by Yuan Zhaoyong, and other national treasures, supplemented by several contemporary rubbings to tell the story of Han Yu, Liu Zongyuan, Ouyang Xiu, Su Xun, Su Shi, Su Zhe, Ceng Gong and Wang Anshi.

  Among them, Su Shi’s "Fu of Spring Scenery in Dongting and Fu of Songlao in Zhongshan" was written in Shaoshengyuan in the Northern Song Dynasty (1094), which is a masterpiece of Su Shi’s calligraphy in his later years. There are more than 680 words before and after, which is the largest number of words in its ink. The words in the text are about the size of ancient money, and the structure is slightly flat, showing the trend of low left and high right. The writing is calm, smooth and steady, and the essence is contained throughout, looming the mighty image of Wang Yang. After the volume, Yuan Zhang Kongsun, Ming Huang Yangzheng, Li Dongyang, Wang Maodeng, Wang Shizhen, Zhang Xiaosi in the late Ming and early Qing Dynasties wrote the sequel to Shiqu Baodi.

Part of Su Shi's Poems on Spring Scenery in Dongting and Song Lao Fu in Zhongshan in the Northern Song Dynasty

  Part of Su Shi’s Poems on Spring Scenery in Dongting and Song Lao Fu in Zhongshan in the Northern Song Dynasty

  In the Northern Song Dynasty, Su Shi wrote a 68-word running script, which recorded Su Shi’s correspondence with friends to discuss the purchase of land. Although the glyph structure is sharp-edged, it is honest and simple, and it still has the brushwork of Lanting, and it is beyond deliberate exercise. Slightly combining rigidity with softness, the pen is tactful and the style is indifferent, which just reflects the author’s uneasy mood of wanting to retreat. This post was collected by Guo Bi in Yuan Dynasty, Lu You, Shen Zhou in Ming Dynasty, Cui Shen, Xiang Yuanbian, etc., and recorded in the sequel of Shiqu Baodi.

Su Shi's "Yang Xian Tie of Running Script" in Northern Song Dynasty

  Su Shi’s "Yang Xian Tie of Running Script" in Northern Song Dynasty

  In the Northern Song Dynasty, Su Shi’s Xiaoxiang Bamboo Stone Picture (Biography) shows the elegance and elegance of the close-range boxing stone and bamboo with a very layered brush and ink, and the misty landscape in the distant view makes people feel like reading thousands of miles in the frame. It is a model work that entrusts the literati’s spiritual feelings with bamboo stone landscape. At the lower left of the picture, there is an inscription by Yang Yuanxiang in Yuan Dynasty, followed by 26 inscriptions by Ye Kun, Qian Fu and other Yuan and Ming Dynasties, with more than 3,000 words.

Su Shi's Xiaoxiang Bamboo Stone Map (Biography) in Northern Song Dynasty (partial)

  Su Shi’s Xiaoxiang Bamboo Stone Map (Biography) in Northern Song Dynasty (partial)

  In 1961, Deng Tuo bought it from Bai Jianfu with the money from Yanshan Nighttalk and the money from the sale of 24 ancient paintings in his hand, and wrote an inscription on Su Dongpo’s Xiaoxiang Bamboo Stone Scroll. In 1964, Deng Tuo donated it to China Art Museum. Like Su Shi’s "Wood and Stone Map" (biography) which appeared in the auction before, there has always been a debate about whether it is true or false.

Yuan Xian Yu Shu Shu Wang Anshi's Poem Paper Handscroll is 50.25 cm in vertical direction and 1024.7 cm in horizontal direction. It is collected in Liaoning Provincial Museum.

  Yuan Xian Yu Shu Shu Wang Anshi’s Poem Paper Handscroll is 50.25 cm in vertical direction and 1024.7 cm in horizontal direction. It is collected in Liaoning Provincial Museum.

  Yuan Xian Yu-shu’s Poems of Wang Anshi, Wang Anshi’s Poems of Wang Anshi’s Poems of Wang Anshi’s Poems of Wang Anshi’s Poems of Wang Anshi’s Poems of Wang Anshi’s Poems of Wang Anshi’s Poems of Wang Anshi’s Poems of Wang Anshi’s Poems of Wang Anshi’s Poems of Wang Anshi’s Poems, Wang Anshi’s Poems of Wang Anshi’s Poems of Wang Anshi’s Poems of Wang Anshi’s Poems of Wang Anshi’s Poems Poems of Wang Anshi’s Poem’s This volume has rigorous font structure, full brushwork, refreshing and vigorous brushwork, natural brushwork and magnificent momentum. Jun Xi, the original Tibetan, later fell into Wu Cheng’s hands, entered the Confucianism in Xinghua House in the early Ming Dynasty, and entered the Inner House after the Qing Dynasty, which was recorded in Shiqu Baodi. Fresh in the pivot (1246— 1302), the word "Boji",no. Kun Xuemin, Yuyang, lives in Yangzhou. Official to Taichang Temple Canon Book. He is good at poetry and prose, fine appreciation, good at calligraphy, and is equally famous as Zhao Mengfu.

Chou Ying's Map of Chibi (partial)

  Chou Ying’s Map of Chibi (partial)

  The Map of Chibi in Chou Ying in the Ming Dynasty is mainly composed of azurite and turquoise, which depicts Su Shi and his friends boating at night in Chibi. The layout of this picture is bright and bright, the brushwork is fine and dense, the color is elegant and beautiful, the technique is skillful and steady, and it is a masterpiece of Chou Ying. Chou Ying (about 1497— 1552), the real father, was born in Taicang, Jiangsu Province, and later moved to Suzhou. He is good at painting, especially a lady, and occasionally works as a flower and bird. He is also called "Ming Sijia" with Shen Zhou, Wen Zhiming and Tang Yin.

  Feelings of Home and Country: Eight Masters’ Adherence to Humanistic Ideal in Tang and Song Dynasties

  "Mencius" has a saying: "The foundation of the world is in the country, the foundation of the country is at home, and the foundation of the family is in the body." Home is the foundation and extension of the country. In the spiritual pedigree of China people, the country and family, society and individuals are inseparable whole. As an outstanding representative of the outstanding intellectuals in ancient China, "Eight Masters of Tang and Song Dynasties" have always shared weal and woe with the country and the nation in maintaining Confucian orthodoxy, adhering to the humanistic ideal of "self-cultivation, governing the country and leveling the world" and safeguarding national unity and national justice, and still moisten our spiritual home.

  In the part of "Feelings for Home and Country", five units are used, namely, "Ming Dow as a writer", "Self-cultivation as a scholar", "Filial piety as a family", "Morality as a government" and "Worried about the world", which show the Southern Song Dynasty’s anonymous "Imitating the Classic of Filial Piety", the Southern Song Dynasty’s Zhu Xi’s cursive script and the manuscript of the University or the University, and the Southern Song Dynasty’s painting "The Picture of Zhou Songqing Temple" by Ma Hezhi.

An Anonymous Picture of Filial Piety in Southern Song Dynasty (partial)

  An Anonymous Picture of Filial Piety in Southern Song Dynasty (partial)

  Among them, the southern song dynasty’s anonymous painting "Imitating the Classic of Filial Piety" is based on the Confucian classic "The Classic of Filial Piety", which is divided into 18 chapters. The content mainly discusses feudal morality and promotes patriarchal ideology. This volume was recorded by Sun Chengze in Qing Dynasty, such as "The Story of the Boxer Selling Summer" and "The First Compilation of Shiqu Baodi". Sun Chengze and Shiqu Baodi both thought that Chu Suiliang’s book and Yan Liben’s painting were written by people in the Southern Song Dynasty. Judging from the taboo words, the words "Jing" and "Rang" are all short of pens, while the word "Shen" in Chapter 16 is short of pens to avoid taboo in Zhao Shen, South Song Xiaozong, and the word "Kuang" in Chapter 17 is also short of pens. It can be seen that this volume should have been written at the earliest in Xiaozong of the Southern Song Dynasty.

  Zhao Gou’s book of Emperor Gaozong in the Southern Song Dynasty and Ma Hezhi’s painting "The Picture of the Temple of the Qing Dynasty in Zhou Song" are among the best volumes of Mao Shitu handed down from generation to generation, and the painting methods and image characteristics of its characters are basically the same as those of Tang Fengtu. Every section of the Emperor’s book is in front, and Ma Hezhi fills in the picture. Because most of the volumes are mainly about sacrificial activities and scenes, the author intends to highlight its solemn atmosphere. The collection in the Song and Yuan Dynasties is unknown. During the Yuan and Ming Dynasties, he entered Hongwu Neifu, and then returned to Zhu and Xiang Zijing for collection. After entering the Qing Dynasty, it was collected by Anqi and Liang Qingbiao, and then entered the Qing Dynasty. It has been recorded in Gu Fu’s Spectacular Life in Ming Dynasty, Wu Sheng’s Grand View Record in Qing Dynasty, and The Continuation of Shiqu Baodi.

  In Southern Song Dynasty, Zhu Xi’s cursive script merged with the manuscript of University or Ask, which is composed of the handwritten note of Fu Yunfu’s Correction and the manuscript of the chapter of University or Ask Sincerity, has a quick stroke, echoes back and forth, and turns freely, with a little convergence of pen strokes and mixed with official meaning. Before the volume, there is an anonymous portrait, and after the volume, there are 11 inscriptions by Yuan Zhu Gongqian and Ming Wen Zhiming. Zhu Xi (1130— 1200), with the character Hui, was born in Wuyuan, Huizhou, and lived in Jianyang. In the eighteenth year of Shaoxing (1148), he was a scholar, and he was the founder and promoter of Neo-Confucianism in the Southern Song Dynasty. Calligraphy learned from Zhong You in his early years, and he was good at grass, especially fine print, and his style was calm and elegant.

Zhu Xi's cursive script in the Southern Song Dynasty merged with the manuscript of university or question, and was collected in Liaoning Provincial Museum.

  Zhu Xi’s cursive script in the Southern Song Dynasty merged with the manuscript of university or question, and was collected in Liaoning Provincial Museum.

Zhu Xi Shu Han manuscript volume

  Zhu Xi Shu Han manuscript volume

  In the Southern Song Dynasty, lin ma’s "The Summer Scene in the Hometown of Lotus" is one of lin ma’s masterpieces, which vividly reproduces the summer scenery of Hangzhou West Lake in the Southern Song Dynasty. The picture shows Liuan, Hengqiao and cruise ship, and the lotus flowers in the lake are fragrant and refreshing. Scholars walk on the bridge, boats and boats shuttle on the blue waves, waterfowl fly or swim, dynamic and static combine, and the scene blends. This picture is a sketch of Jingxi Lake, with harmonious scenery and panoramic views of lakes and mountains. After the volume, there is a postscript by Gao Shiqi of Qing Dynasty, which was recorded in Shiqu Baodi. Lin ma (the date of birth and death is unknown), a native of Qiantang (present-day Hangzhou), the son of Ma Yuan, one of the "Four Schools of Southern Song Dynasty", inherited his family’s studies in painting, and used his pen with great strength, but his style of painting was beautiful and embellished.

The Southern Song Dynasty lin ma's "The Summer Map of the Hometown of Holland"

  The Southern Song Dynasty lin ma’s "The Summer Map of the Hometown of Holland"

The Southern Song Dynasty lin ma's "The Summer Map of the Hometown of Holland"

  The Southern Song Dynasty lin ma’s "The Summer Map of the Hometown of Holland"

  At the end hall of the exhibition, there is also a "sales area for cultural and creative products", which strives to keep the audience’s memories of the exhibition through colorful cultural and creative derivatives and a wide variety of exhibition publications. With the opening of the exhibition, academic lectures for the public, colorful social education activities, well-made exhibition catalogues and distinctive cultural and creative products will meet the audience one after another. At the same time, the "Eight Masters of Tang and Song Dynasties" cultural and creative competition will be held, and the "International Academic Seminar of Eight Masters of Tang and Song Dynasties" will be organized in the middle of the exhibition. The exhibition was co-sponsored by National Cultural Heritage Administration and the Propaganda Department of Liaoning Provincial Committee of the Communist Party of China, and was undertaken by Liaoning Provincial Department of Culture and Tourism (Liaoning Provincial Cultural Relics Bureau), Liaoning Provincial Cultural Performing Arts Group (Liaoning Provincial Public Cultural Service Center) and Liaoning Provincial Museum, with the assistance of China National Museum, China Art Museum, Shanghai Museum, Jiangxi Provincial Museum, Jilin Provincial Museum, Liaoning Provincial Library, Shenyang Palace Museum, Lushun Museum, Song Wenzhi Art Research Center and Liu Zongyuan Memorial Hall.

  According to reports, this exhibition has been selected as the key promotion project of the theme exhibition "Promoting Excellent Traditional Culture and Cultivating Socialist Core Values" in National Cultural Heritage Administration in 2020.

  The exhibition will last until March 2, 2021.

Exhibition site

  Exhibition site

Xiaomi SU7 went through a severe winter test: the whole vehicle was frozen for more than 24 hours to test the charging performance.

Fast Technology reported on February 8 that Xiaomi founder Lei Jun shared the winter test video of Xiaomi SU7 in Heihe River. In the cold Heihe River, Xiaomi SU7 experienced severe tests again and again.

According to Xiaomi’s engineer, in order to test the charging performance of Xiaomi SU7 in low temperature scene, the engineer put Xiaomi SU7 outdoors for more than 24 hours.

At the same time, the thermal management of Xiaomi SU7 continues to be polished and upgraded, and the maximum heating power given to the battery can reach 18kW in extreme cold, which is twice the industry average.

More importantly, Xiaomi SU7 has the unique technology of "millet high-efficiency dual-mode heat pump" in the industry. This innovative technology integrates the step-by-step heating mechanism of three heat sources, and realizes the optimal temperature control management of the interior temperature and battery pack by efficiently recovering and converting the environmental heat, the afterheat of the driving system and the energy generated by the battery itself.

With this technology, Xiaomi SU7 can effectively resist the influence of low temperature environment on battery efficiency. Under the extreme conditions of MINUS 30 degrees Celsius, the vehicle can still maintain a high cruising range retention rate, which solves the core problem of the sudden drop of electric vehicle endurance in winter.

In addition, the efficient thermal management system also enables Xiaomi SU7 to achieve a faster charging speed in a low temperature environment, further enhancing the user’s car experience in cold seasons.

In this way, whether it is the snow and ice in the north or the wet and cold weather in the south, Xiaomi SU7 can easily cope with it and truly bring electric vehicles into a new era suitable for all seasons.

With 129 brands and nearly 1,600 new cars, the 2023 Chengdu Auto Show will open next week.

China Economic Net Beijing August 16th (Reporter Wang Yueyue) The 26th Chengdu International Automobile Exhibition (hereinafter referred to as Chengdu International Automobile Exhibition) will open next week! At the press conference held yesterday (August 15th), Liu Guoliang, managing director of Hannover Milan Exhibition (Shanghai) Co., Ltd., said that this year’s Chengdu International Auto Show will be held in the West China International Expo City on August 25th. By then, 129 automobile brands, including German, American, legal, Japanese, Korean, joint venture and independent, and nearly 1,600 world premiere, debut and hot-selling explosive models will gather in Chengdu.

Photo by Wang Yueyue at the event site

According to Wu Wenzhen, deputy general manager of Hannover Milan Exhibition (Shanghai) Co., Ltd., this year’s Chengdu International Auto Show will be held for 10 days with the theme of "Enjoying Rongcheng with Wisdom and Seeing the Future". Among them, August 25th is Media Day, August 26th-27th is Professional Audience Day, and August 28th-September 3rd is General Audience Day. The auto show was jointly sponsored by Chengdu Municipal People’s Government and China Council for the Promotion of International Trade Automobile Industry Branch, and jointly undertaken by Chengdu Expo Bureau, Chengdu Economic and Technological Development Zone Management Committee, Chengdu Century City Exhibition Group Co., Ltd., Hannover Milan Exhibition (Shanghai) Co., Ltd. and Sichuan Provincial Committee of China Council for the Promotion of International Trade.

As the "wind vane" of the central and western auto markets, Chengdu International Auto Show will bring a "profit-making" combination boxing to all auto brand manufacturers and dealers this year, so as to speed up recovery and boost consumption and stimulate market vitality. In order to create a good car buying atmosphere at the exhibition, promote on-site sales and release consumption kinetic energy, brand manufacturers participating in this year’s Chengdu International Auto Show will bring exclusive car buying discounts at the auto show; On this basis, major dealers will also carry out activities such as cash deduction, purchase tax reduction and exemption, high-value oil cards, free mileage, and worry-free maintenance and warranty to help upgrade consumption.

In the face of increasingly fierce competition, the popularity of new energy vehicles remains high. According to the data of China Association of Automobile Manufacturers, as of July this year, the cumulative production of new energy vehicles in China has exceeded 20 million. As one of the protagonists of this year’s Chengdu International Auto Show, new energy vehicle companies headed by the new forces of building cars will start a competition between technology and strength. Ideality, Weilai, Tucki, Zero Run, Lantu, Gaohe, Extreme Krypton, Zhiji, Aouita, Euler, Extreme Fox, Nezha, AITO, Ai ‘an, Deep Blue, Haobo, Yuanhang and other brands will bring their heavy models to this auto show.

According to incomplete statistics, at this year’s Chengdu International Auto Show, Zhiji’s brand-new pure electric medium and large SUV and LS6 equipped with 800V fast charging system will usher in the first launch; The polar fox will build the first "parent-child paradise" with the theme of car brand scene, and the koala of smart parent-child car will start pre-sale; Yuanhang Y6 and Yuanhang H8 were officially listed; The whole system comes standard with the second-generation NT intelligent wing door and the high-speed HiPhi Y with full-speed active rear wheel steering, which is unveiled as an open-top spacecraft. Extreme Krypton and Song Art Museum jointly build the "Extreme Krypton Art Museum", and the whole product lineup includes extreme Krypton 001-009 and the brand-new X model. BYD Group will make its debut as a group with its four brands, Tengshi, Wangwang, BYD and Equation Leopard. It is worth mentioning that the much-watched U8 will be officially listed at this auto show; BYD’s high-end brand Equation Leopard will bring the first hard-core SUV Equation Leopard "Leopard 5" to open the first show of the global auto show.

2023 Chengdu International Auto Show will open on August 25th.

At the same time, luxury brands such as BMW, Mercedes-Benz, Audi, Lexus, Lincoln, Jaguar Land Rover, Cadillac, Volvo, Janice and finidi will also gather at this year’s Chengdu International Auto Show. Among them, the JYNISES G90 will be listed during the Chengdu International Auto Show; Mercedes-Benz will launch a fierce offensive with the product matrix of "two lines of oil and electricity" to maintain its competitiveness in the high-end luxury market; Jidu Automobile will display automobile robots equipped with high-order intelligent assisted driving in urban scenes; As a luxury electric off-road brand launched by Dongfeng Group, the warrior who participated in the exhibition for the first time will "kick the pavilion" with a powerful and domineering style and a strong mecha style.

The "Made in China" car companies at home-China FAW, Dongfeng Motor, Changan Automobile, SAIC Motor, Guangzhou Automobile Group, Chery Automobile, Geely Group, Great Wall Motor, BYD, Universiade Motor, etc. will also show their muscles. The new BJ40 of BAIC will be pre-sold at the auto show; Chery Group will bring its four brands of Chery, Xingtu, Jietu and iCAR to the stage.

In terms of joint venture car companies, Volkswagen, Peugeot, Citroen, Buick, Chevrolet, Ford, Toyota, Honda, Nissan, Mazda, Jiangling, Hyundai, Kia and other brands are constantly increasing the China market behind the fiercely competitive market, and actively speeding up the pace of "electric shock" in addition to traditional oil cars to boost the competitiveness of the track.

In addition, this year’s auto show also set up the Trend Car Life Museum to comprehensively upgrade the diversified experiences such as concept, feeling, ride, driving and music, and spread the new fashion of fashion, youth and trend culture through the activities of life leading, scene immersion, perception interaction and leisure experience.

World Book Day | Let’s take a look at the performers’ bookshelves!

Special feature of 1905 film network Today, a long time ago, a beautiful princess was trapped in a deep mountain by a dragon. The warrior George defeated the dragon alone and saved the princess. In return, the princess gave him a book as a thank-you gift.


Therefore, from then on, on April 23rd, every year, Spanish teenagers gave gifts to each other. Boys gave girls flowers and girls gave books back. April 23rd became Rose and Book Day, which was naturally designated as World Reading Day by UNESCO.


As if it were an appointment, the famous playwright Shakespeare and Spanish writer Cervantes both died on this day, while many writers, such as American writer Nabokov, French writer Maurice Derouen and Icelandic Nobel Prize in Literature winner laxness, were born on this day. Make the World Reading Day on April 23rd more scholarly!

Nowadays, most people seem to prefer to invite friends to watch a movie, but few people choose to read a heavy book alone. But movies are never far from literature. When reading, we may think of a movie scene, and in many movies adapted from literary works, we may experience the delicate writing between the lines in frame by frame.



@ chen more: I like movies very much. They can present different things from books, such as the silent eye contact of characters. Although they don’t talk, the emotional tension is very touching, which is a world that words can’t express.


Movies often need to borrow from literature. @ chen more: Movies and ancient poems have a lot in common, such as great emphasis on emotion and conciseness. Chinese-style beauty belongs to "and now through pine-trees come the moon and the chill of evening, and my ears feel pure with the sound of wind and water", which knows how to leave a blank space and has the realm of tranquillity and gentleness. And movies also need to be blank and restrained.



Books are often the starting point of performances. In the performance cultural heritage program "Today’s Film Critics Performers’ Words" specially planned by our film critics’ column group, the actors and friends shared their favorite books in "My Performers’ Notes".

Let’s take a look at the performers’ favorite bookshelves!

Recommended bibliography: The True Story of Ah Q

@ chen more: An actor should also have the ability to reflect his psychological activities with facial expressions. The True Story of Ah Q recommended by the teacher is a book that reflects the psychology of the characters from a very special angle.


Recommended bibliography: The Deaf-mute Age

The actor who has become a child’s father plays a novelist immersed in his own world in the film, but he still has that unique sense of youth, which is estimated to be inseparable from his favorite "Deaf Age", which is a description of the process of self-awareness awakening of teenagers. 

Recommended bibliography:Toad oil


The roles he plays are diverse but solid, and each character impresses the audience. He is often called an acting actor. However, acting skills need to have the ability to deeply understand each character and then flexibly switch back to himself. This should be indispensable to the help of Amanda’s cautious self and self-reflection courage in his favorite book Toad Oil.


My Performance Notes


Performance is a kind of culture, and actors present more vital roles, which need to realize themselves, life and knowledge from the inside out. @ chen more: We can see that these reading-loving actors are well-recognized actors with excellent box office. Because there are many jumps in the movie, and then sometimes some flashbacks are used, some performance details will be left out, but their performances can make you feel complete.

@ chen more: If your life is a rope with a length of 100 cm, and your life is thin, you can only divide it into four sections with a length of 25 cm. When you have read a lot of books, it becomes deep and delicate, and you can grasp every centimeter of your life. Actors will also make a reading plan for themselves in many interviews: "I will read a little every day, and after a period of complete emptying, the conditioned, professional restraint and self-discipline will come back."



@ chen more: The appeal and influence of filmmakers’ reading is enormous. The reading sharing of such performers is not limited to today’s reading day, such as the fans in Jackson Yee and the Jackson Yee Library established by the Huaihua government in Hunan Province.


In addition, there are stars on the internet who take everyone to read: the bookshelves that read for an hour every day with them, and so on. These actors who love reading drive more fans to fall in love with reading.



This spring season is a good time to ring the spiritual door ~

Adjusting housing prices in first-tier cities or building houses owned by state-owned enterprises will help to retain talents.

  This year’s two sessions, real estate regulation is still a hot topic. Various localities have also adopted housing policies to attract talents. Collective construction land to build rental housing and state-owned enterprises to use their own land to build affordable housing have all targeted the housing problem of employees, achieving "job-housing balance" and retaining high-end talents. The Beijing Youth Daily reporter interviewed two members from the economic sector and the non-partisan sector, respectively, on these issues.

  Zhao Song, member of Chinese People’s Political Consultative Conference and director of Land Price Institute of Land Survey and Planning Institute.

  Building houses owned by state-owned enterprises helps to retain talents.

  It is a very correct orientation to establish a long-term mechanism in the real estate field. We should comprehensively consider the land supply system, the real estate development and sales system, and the financial and tax systems. The long-term mechanism can guide the market to a healthy and stable development path. It will take time for the long-term mechanism to play a real role, which requires both the running-in and improvement of the system and the self-adjustment and repair of the market under the new mechanism.

  ■ Market regulation ■

  Purchase restriction has not changed the relationship between supply and demand in the market.

  Beiqing Daily: What control measures have been taken by all parts of the country to the real estate market, and what changes have taken in the real estate market?

  Zhao Song: The changes in the real estate market in the past year, whether it is the stabilization of housing prices in first-tier cities, the decline of growth rates, or the rapid rise of some emerging hot cities, are generally the effects of "anti-overheating" and "destocking" control measures. In specific operations, administrative measures have played a more important role, such as restricting purchases, sales and loans, which have indeed had an immediate impact on curbing the heat of market transactions, while the price limit policy has directly suppressed the price signal in the first-hand housing market, but it has not yet formed a new relationship between market supply and demand, and high demand momentum still exists. The spillover of demand from first-tier and hot-spot cities, combined with the continuous easing policies in most areas, has caused some second-and third-tier cities to accelerate their rise.

  Housing prices in first-tier cities may be adjusted at a high level.

  Beiqing Daily: What do you think of the overall real estate market in 2018? Under the intensive real estate control measures, what kind of situation will the first, second, third and fourth tier cities present?

  Zhao Song: At present, the situation of high-pressure regulation and control in the real estate market will not be relaxed. Therefore, in this first-tier city and second-tier hotspot city, the overall housing price may remain relatively stable on the basis of last year, forming a high-level adjustment trend, and some cities still have room to fall back.

  Beiqing Daily: What about the third-and fourth-tier cities that saw a big increase last year?

  Zhao Song: Some cities with good infrastructure conditions, rapid economic development and obvious population growth have strong internal support for rising housing prices. However, there are also some cities that have risen too fast in the early stage. Without the support of effective demand, such as the infrastructure can’t keep up and the population flows out, there will be greater risks. I don’t think those speculative housing prices will last long.

  Long-term mechanism should replace emergency measures

  Beiqing Daily: Last year, an important feature of real estate regulation and control was "policy by city". Will this policy last forever?

  Zhao Song: In the past two years, the effect of "city-based policy" in real estate regulation and control is still quite obvious. In the past, regulation was across the board, which caused some policies to fail to achieve the expected goals. Therefore, in recent years, the policy of Yincheng has been proposed. The participation of land in real estate is mainly reflected in land supply. In cities with large demand and rapid housing price increase, the land supply should be appropriately increased. For those with serious inventory, the land supply will be reduced.

  Beiqing Daily: The central government has proposed to establish a long-term mechanism for real estate regulation. What do you think of the construction of a long-term mechanism?

  Zhao Song: It is a very correct orientation to establish a long-term mechanism in the real estate field. In the past, our control measures were all emergency, which could not solve the fundamental problem. To establish a long-term mechanism, we should comprehensively consider the land supply system, the real estate development and sales system, and the financial and tax systems. The long-term mechanism may not have an immediate effect on controlling housing prices, but it can guide the market to a healthy and stable development path. It will take time for the long-term mechanism to play a real role, which requires both the running-in and improvement of the system and the self-adjustment and repair of the market under the new mechanism.

  ■ Collective land ■

  The diversion part of collective construction land is just needed.

  Beiqing Daily: At the beginning of this year, the Ministry of Land and Resources approved 11 cities including Shenyang and Xiamen to use collective construction land to build rental housing. Together with Beijing and Shanghai, which are being piloted, 13 cities have been piloting this new policy. Can building rental housing with collective construction land alleviate the problem of high housing prices?

  Zhao Song: I think this is a good direction. Allowing collective land to build rental housing into the market is a measure to realize multi-agent supply and multi-channel guarantee. However, we can’t expect it to solve the problem of short supply in the real estate market at once. It can only be said that in some areas, it can divert some rigid demand and relieve market pressure.

  Beiqing Daily: In what way should farmers’ interests be protected when collective land is used to build rental housing?

  Zhao Song: First of all, collective economic organizations are voluntary, and farmers can’t be forced to take out land for renting houses in order to complete the pilot task; The second is to do a good job of research in the early stage, choose areas with needs, such as industrial parks and development zones, and rent out houses so that farmers can make profits collectively; Some places also adopt the practice that the government rents it wholesale according to the market rent level and then rents it to specific tenants, which also reduces the operational risk of collective economic organizations.

  The new measures will help state-owned enterprises retain talents.

  Beiqing Daily: Last year, the Beijing Municipal Commission of Housing and Urban-Rural Development issued a document encouraging state-owned enterprises to use their own land to build affordable housing, and other hot cities also had some related pilot projects. What changes will this bring to the housing market?

  Zhao Song: This is also the idea of multi-agent supply and multi-channel guarantee. This is of great help to solve the housing problem of employees of state-owned enterprises, especially the housing problem of young employees, and helps state-owned enterprises to retain talents. Now many places, especially some second-tier cities, are fighting for talents. If their housing problems can be solved, the battle will be won by half.

  ■ Land supply ■

  The reasons for the "auction" of land transfer are complicated.

  Beiqing Daily: In the past two years, the phenomenon of land "bidding, auction and hanging" often appears at high prices. Some people say that behind high housing prices is actually high land prices. What do you think of this phenomenon?

  Zhao Song: Who pushed and pulled the house price and land price? This is a long-standing debate. Theoretically, the demand for land is derived demand, and the price expectation of products formed on the land determines the land price that people are willing to pay. In reality, they are interactive. As for who played the main role? This needs to be analyzed in combination with the specific market environment. In a seller’s market, no matter how high the developer gets the land, that is to say, how high the cost he invests, he will definitely pass this cost on and seek profits. However, if it is a buyer’s market, for example, when the inventory in some places was serious a few years ago, the house could not be sold, and the land would be auctioned off.

  Beiqing Daily: Under the background of strict regulation and control, some first-tier cities have experienced the phenomenon of land auction. What do you think? Does it mean that the real estate market has shown signs of reversal?

  Zhao Song: The reasons for the auction are more complicated. I think it is necessary to analyze the specific plots. The auction of some plots may be due to insufficient demand in the market, the expectations of real estate developers for the future have fallen, and the willingness to buy land has declined, leading to the auction; Sometimes it may be that the conditions given by this land are too harsh, which should be analyzed in detail.

  Member Chinese People’s Political Consultative Conference and Director of Land Use Management Department of Ministry of Land and Resources Liao Yonglin.

  Enterprise dormitory can reduce the living cost of workers.

  Many cities attract talents by providing preferential housing conditions. Rent is a very important part of production factors. If workers are provided with housing or rental subsidies, their living costs will be reduced. Rental housing built on collective construction land in Beijing solves the housing problem for makers, and gives a lot of rent subsidies, which actually reduces the price of factors and is more competitive for enterprises in attracting talents.

  ■ Market regulation ■

  Real estate regulation needs a multi-pronged approach

  Beiqing Daily: What do you think of the problem of excessive housing price increase in the past year or two?

  Liao Yonglin: House price is just a representation. Price is the expectation of both the supply and demand sides for the future, and it is a result. We should adjust the relationship between supply and demand to change people’s expectations. For example, rent and purchase are now advocated, and local governments have introduced measures to protect the interests of renters, so that ordinary people can enjoy the same treatment when renting houses. Public rental housing and low-rent housing that we are actively promoting now, including rental housing built on relatively new collective construction land, are all working in this direction.

  Beiqing Daily: Real estate regulation is still a hot topic this year. Can the house price be controlled this year? Do you have any suggestions for this piece?

  Liao Yonglin: The central government has made it very clear that "houses are for living, not for speculation". Real estate regulation needs a multi-pronged approach, and it is impossible to "win with one stroke". It should include comprehensive measures such as land supply, finance, taxation, etc. We must design the system based on the residential characteristics of the house, improve control, and classify regulation. It is different in large, medium and small cities, and it is different in first, second and third tier cities. At the same time, strengthen the two-way adjustment of supply and demand, and explore the multi-land supply mechanism of real estate.

  The key to controlling house prices lies in controlling expectations.

  Beiqing Daily: What are the effective ways for local governments to solve the expected problem of high housing prices?

  Liao Yonglin: Shanghai’s leased housing plots and Beijing’s shared property houses are all effective explorations in this regard.

  There is also the rectification of developers and real estate agents. In some places, developers engage in "hunger marketing". Obviously, there are many houses, but they have to create an illusion of shortage. Now local governments have stepped up their efforts in this regard, which has had a great impact on market expectations.

  Beiqing Daily: What do you think of the emergency real estate control measures in various places, including administrative measures such as restricting purchases, loans and sales?

  Liao Yonglin: This is a practice of stopping bleeding first. Ultimately, it is necessary to establish a long-term mechanism in the real estate market to solve the problem. The long-term mechanism should include land supply, taxation, finance and other factors. Of course, government supervision cannot be absent.

  ■ Collective land ■

  Workers’ dormitory reduced the factor price.

  Beiqing Daily: The Ministry of Land and Resources has approved 13 cities including Beijing, Shanghai, Hangzhou and Xiamen to use collective construction land to build rental housing. What is the original intention of these urban pilot projects with prominent contradiction between housing supply and demand? Can this contradiction between supply and demand be alleviated?

  Liao Yonglin: In fact, real estate can be divided into two parts, one is for residence, and it is a consumer product, which is closely linked to income. There is also industrial land and commercial real estate, which belong to production factors. Rental housing should be somewhere in between. Solving the housing problem of the labor force is also a problem of high factors. To put it bluntly, people work and live in the city. Without a house, he wants to rent a house, and the rent is high, so the salary must be high, otherwise people will leave.

  Beiqing Daily: Beijing piloted the construction of rental housing on collective construction land earlier to solve the problem of collective dormitory for enterprise employees in industrial parks, and at the same time, it was aimed at security guards, domestic workers, couriers and other service groups. In order to solve the housing pressure problem of high-tech talents, Zhongguancun used collective construction land to build rental housing to carry out a pilot project of public rental housing for makers. Maker Tenant enjoys 50% rent subsidy from Haidian District, Beijing. What do you think?

  Liao Yonglin: Many cities attract talents by providing preferential housing conditions. Rent is a very important part of production factors. If workers are provided with housing or rental subsidies, their living costs will be reduced. Rental housing built on collective construction land in Beijing solves the housing problem for makers, and gives a lot of rent subsidies, which actually reduces the price of factors and is more competitive for enterprises in attracting talents.

  If the job advertisement says that housing is provided, then its salary can be lower. If not, I’m sorry, then the salary will be higher.

  The government vigorously promotes the construction of rental housing.

  Beiqing Daily: What do you think of the current problem of high housing prices? There is a voice that high land prices are behind high housing prices, because most of the housing prices are land prices, and the construction and installation costs account for a small proportion. What do you think of the frequent occurrence of "high-priced land" in the land market and the problem that "flour is more expensive than bread"?

  Liao Yonglin: Whether the high housing price is cost-driven or price-driven, this is a chicken or egg problem, and there will never be any result. Market economy is to buy production factors after the price of supply and demand is accurate. If the cost determines the price, it is not a market economy. Now it is always said that "flour is more expensive than bread", in fact, developers will not do business at a loss. The problem now is to solve the problem of housing price expectation and realize the price balance between supply and demand. Now the government is vigorously promoting the construction of rental housing, especially advocating the right to rent and purchase, and establishing a long-term mechanism for real estate, which is to solve this expected problem.

  ■ Land supply ■

  The design of "multi-subject land supply" system should keep up

  Beiqing Daily: Since last year, the central government has repeatedly proposed to speed up the establishment of a "multi-agent supply, multi-channel security, and rent-and-purchase housing system". Does multi-subject land supply mean a breakthrough in the existing "bidding, auction and hanging" system of commercial housing land supply?

  Liao Yonglin: Actually, China’s real estate industry was originally a multi-subject land supply, and later it moved towards a single subject land supply. However, there are many problems in supervision in this way. In terms of economic value, the highest urban construction land is real estate, followed by industrial land, and the worst is infrastructure land. If the rush to engage in real estate will be chaotic, what about the infrastructure? Multi-subject land supply later became a single subject land supply, but in this mode, the government monopolized the land, and some local governments often did not take the initiative to supply land in order to raise land prices.

  Now we advocate multi-agent land supply, but we don’t simply go back to the past, but we must keep up with the system design and supervision, so as to solve the possible problems of multi-agent land supply and the problems of single agent land supply.

  Photo of this edition/reporter Zhu Kaiyun