Xinhua News Agency, Washington, July 30 (Reporter Gao Pan) The Office of the US Trade Representative recently held a hearing to discuss the issue of imposing tariffs on US$ 16 billion worth of products exported from China to the United States. Delegates at the meeting generally expressed their concern that the increase in tariffs would damage the US economy and reduce the competitiveness of US industries.

The American Semiconductor Association and the Semiconductor Industry Association said at the hearing that the United States accounts for 40% of the global market share of semiconductors, and its semiconductor trade with China is in a surplus, and more than 40% of the semiconductor products imported from China are produced by American local enterprises or American-funded enterprises. The main R&D and design of semiconductors are carried out in the United States, and the chips are only assembled in China. Adding tariffs will increase the cost of American enterprises, which is not conducive to R&D investment and damage the leading position of the United States.

The Consumer Technology Association bluntly told the questioning officials in the inquiry session that changing the source of suppliers is actually destroying the ability of enterprises to operate independently, which will lead to the loss of high-paying jobs in the United States.

The American Retail Industry Leadership Association is worried that increasing tariffs will affect American families, increase the daily costs of dealers, consumers and farmers, and it will take a long time to transfer the supply chain of consumer goods.

Many representatives from American associations and enterprises in chemical and plastic products, containers, electric bicycles, auto parts manufacturing and other industries said that they could not find suppliers other than China, and the domestic supply in the United States could not meet the current demand. They pointed out that China is an important source of chemical raw materials and electronic components. Many products are only produced in China on a large scale, so it is difficult to find substitutes. The domestic supply in the United States cannot meet the market demand for a while, and it will take a long time to adjust the supply chain. Imposing tariff measures will force enterprises to raise product prices, shift the burden to consumers, and even force factories to move overseas, which is not conducive to American enterprises to participate in international competition.

Many representatives of small and medium-sized enterprises in the United States complained about the serious impact of tariff increases. Brinley-Hardy said that the Trump administration recently imposed tariffs on imported steel and aluminum products, and on July 6, imposed tariffs on 34 billion US dollars of China products exported to the United States. This family business with a history of 179 years and five generations is facing the threat of closure, and the new tariffs will make the situation worse.

The Information Technology Industry Council of the United States also pointed out that imposing tariffs on China products may lead to the interruption of the global supply chain, which will seriously hurt small businesses in the United States, because changing suppliers is particularly difficult and costly for small businesses.

Among the participating enterprises, Logitech, Global Electronics, Banna Engineering, Fudiwei Company, etc. all have factories in China, and the representatives of these enterprises said that the companies did not encounter the problem of compulsory technology transfer in China.

The representative of Logitech said that the company has not licensed or been required to license the transfer of any technology to enterprises in China, nor has it been forced to transfer intellectual property or technology to enterprises in China. Logitech has not been restricted by the relevant administrative license or licensing requirements described in the US investigation report on China 301 in China.

The representative of Universal Electronics said that American enterprises have the ability to compete with anyone in a level playing field, but imposing tariffs will put American high-tech enterprises like Universal Electronics in a difficult position in global competition. The representative of the company urged the Trump administration not to impose tariffs, but to cooperate with enterprises to implement trade policies that are conducive to American employment and American enterprises to compete in the global market.

Adam Posen, director of the Peterson Institute for International Economics, an American think tank, told Xinhua that imposing tariffs on China products would be counterproductive for the American economy and enterprises, because it would increase the import cost of American enterprises and weaken their competitiveness.

A recent study released by the Peterson Institute for International Economics also shows that since most of the products listed by the United States for taxation in China are intermediate products and capital equipment, American enterprises that rely on importing parts from China and producing goods for global sale will be the hardest hit. Chad Bowen, a senior researcher at the institute, predicts that many American companies will follow the example of Harley-Davidson Motorcycle Company and relocate some factories overseas, which is the price of "bad trade policy".

On June 15th, the US government announced that it would impose a 25% import tariff on $50 billion goods originating in China based on the unilateral findings of the 301 investigation. Among them, the measures to increase tariffs on US$ 34 billion of China’s goods exported to the United States were implemented on July 6, and the issue of increasing tariffs on US$ 16 billion of China’s products exported to the United States needs to be consulted by the public.

Original title: an anti-genre blockbuster

In recent years, the industrial production level of new mainstream blockbusters is booming, and they are constantly trying to combine with genre films, which not only serves the construction of values, but also provides a rich audio-visual feast for the audience. Against the background of the centenary of the founding of the Party this year, the film "Railway Hero" is neither a remake nor a stylized reappearance of historical events. Instead, it has written a just epic of the people of North China uniting against imperialist aggression in War of Resistance against Japanese Aggression period through emotional clues of many characters, such as Lao Hong, a hero of the railway team, Lao Wang, a civilian hero dispatcher, Xiaozhuang, an ordinary nurse, and Shi, a railway engineer.

??Type blockbuster and anti-type

The film has successfully integrated a variety of Hollywood film industry aesthetics and genre styles, such as westerns, war films, film noir, spy films, etc., especially in the battle paragraphs played by Lao Hong. In order to support the anti-Japanese struggle in the mountains and destroy the railway logistics supply line of the Japanese army, Lao Hong sneaked into the freight car alone at night and intercepted the enemy’s supplies. This scene gave the audience a feeling of being separated from the world when Zorro appeared in the snowstorm in the north. In the shoot-out scene in the trailer, Lao Hong’s 38 big cover is no longer inserted obliquely under the front, but fitted to the right waist, lifting the elegant skirt. When the right hand touches the gun at the waist, the elbow is lifted backwards in a straight line, and the shadow of the western cowboy can be seen everywhere in the coherent action of instantaneous firing at the waist. However, when the audience really walks into the theater with the expectation of watching blockbusters, there will be more or less psychological gap. These gaps are clearly reflected in the brief comments of online movies and the comments of video up owners — — "This film is not enough!" "The war scene is not intense enough!" .

Railway Hero is an anti-genre blockbuster. The film shows a rebellious spirit everywhere from the ontological level: on the surface, it seems to obey the rules of Hollywood genre films, wandering on the edge of westerns, war films and film noir, but the core is completely opposite — — The hero finally dies with the enemy; Teenagers have no mother since childhood, and their father disappeared in the mine disaster, which leads to the lack of soil for Oedipus plot; The prince was not driven by Libido to avenge his "father"; Lao Hong, a tough hero, is not an omnipotent savior, and there is no hero to save the United States. There are not many female appearances, and the nurse Xiaozhuang has not become a hero’s drag bottle; The finale of the film is not a happy ending … … All kinds of signs point to a kind of resistance, which integrates all the visual and auditory elements that all types of films should have in plastic arts, but it is completely different from Hollywood types in narrative. This undoubtedly angered some genre audiences, but almost every audience who expected genre through visual styles, posters and trailers, after venting their genre desires, invariably talked about the emotional connection between the main characters of the film and them.

??The highlight of the anti-type genre film

Anti-genre blockbusters jump out of the single-line narrative pattern of single-genre films, and at the same time provide a visual overview, more themes, elements and characters are organically integrated into a film. Movies wander among various film types, subtly interspersed with the film memory of "four depth of field" of war history — — The leadership of the Party organization, the heroic individual’s fighting, the selfless struggle of civilian heroes, and the war sufferings and struggles of ordinary China people. This "quadruple depth of field" varies among "motion-image", history, war epic and people as the main body, and outlines the historical moment of China people’s resistance to the Japanese war of aggression. Through the emotional focus and variation of the narrative of "four depth of field", the film shows Chinese’s heroism and dignity, and also shows the unyielding and fearless national character of the people of China in the historical "original land" of resisting the war of aggression.

In addition, this narrative method provides more possibilities for exploring the emotional space of characters. Anti-Japanese War movies are different from other movies. Apart from jumping out of Zizek’s so-called "Lacan inside and outside Hollywood" personal desire routine, movies not only resist a Hollywood-style narrative abuse, but also resist an Oedipus syndrome at the film ontology level, becoming a richer emotional space. This kind of space used to be regarded as the reserved place for literary films, art films or independent films. Railway Hero not only depicts the cruelty of the war and the bravery of the hero, but also shows the cruel, painful, nervous and sad focus of the people in North China during the war with more tender brushwork. The "warmth fable" in this kind of war elegy is delicately unfolded in the story line of the young railway worker Stone.

??艺术作为反抗，电影作为记忆

??《铁道英雄》由反类型的情感叙事进入艺术创作的场域，进而通过“四重”线索的交叠带领观众重回华北反法西斯战争历史时刻的情感“原境”。电影将平民英雄的抵抗与普通民众的挣扎同样纳入英雄叙事的创作，在时间与影像的互相作用下，电影重新揭示的正是法国艺术史学家迪迪·于贝尔曼所谓的“记忆的灼痛”。在这里，电影不再仅仅是媒介技术进步带给我们的一种感官刺激，而是一种艺术创作的抵抗，既反帝国主义、反侵略，也反俄狄浦斯、反好莱坞。也许正如法国当代后现代主义哲学家德勒兹在《电影I》中说：“艺术就是抵抗本身”。（作者：栗琳，系北京大学艺术理论博士研究生、美国杜克大学历史学硕士、香港浸会大学电影电视与数码媒体艺术硕士）

Chief view:In recent years, many domestic TV dramas have focused on middle-aged women and created countless beautiful, independent and confident images of urban beauty. However, with the frequent appearance of homogeneous people, the audience has formed aesthetic fatigue for this solidified image.

Source: Wu Wei

　

I still remember this poster.

　

　

In March, 2018, Weibo user SUM published the brain hole of "The Character of a Lady", the story revolves around four 40+ women with high knowledge and high income, and there is no struggle between mother-in-law and daughter-in-law and mistress’s infidelity in previous TV dramas. Beautiful, free and rich, a woman is a teenager until she dies.

　

At that time, domestic idol dramas were popular, and the role of middle-aged women was mostly the same as that of mother-in-law Looking at the environment, the global me too movement is in full swing, and women’s power is ready to go.

　

In the soil of domestic film and television dramas, apart from Tang Jing in Yolanda’s My First Half Life, Andy in Ode to Joy counts as half.

　

Netizens spontaneously formed an Amway army, and Chen Shu Ceng Li forwarded it. Yixin Entertainment quickly bought the brain hole, and two months later, the official announced the project.

　

Looking back at "A Lady’s Character", we find that the story has an obvious sense of the times.

　

Up to now, there is no shortage of benchmark works of "A Lady’s Character" in domestic urban dramas.

　

In just a few years, the pattern of elite women has not only formed, but also entered a new round of burnout.

　

I think that when Christina called the director to give more opportunities to middle-aged actresses at the First Film Festival, the words were still in my ears. At present, Chinese women are returning to the line of sight to open the screen, and the audience is also tired of curing the image.

　

Why is Tamia Liu always the bully? Why is Sun Li always upgrading? It’s hard for a strong woman in Song Jia to speak at the top of her voice! How come Yuan Quan is a Tang Jing semi-permanently!

After "Living in the Heart" started, Tanya was still Gu Jia.

　

A middle-aged era was established, and a bunch of middle-aged eras came out.

　Elite women and their girlhood

Non-suspended urban drama is not a conventional domestic drama. Therefore, when "Love is delicious" was broadcast at the end of 2021, it was regarded as a clean stream.

　

The story is about the life, emotion and career planning of three girls who are about to turn 30.

　

Fang Xin (Baby Zhang) is a beautiful girl from childhood, Xia Meng (Naomi) is a three-good student from childhood, and Liu Jing (Chun Li) looks ordinary from childhood, but she is very opinionated.

　

One of the important reasons why Love is Tasty is highly praised is that the three types of girls are the greatest common denominator among girls’ personalities.

　

At first glance, they seem to be quite different from the elite women in other domestic dramas, whose shirts and suits are thin and high-heeled, and their faces are cold and vague. They use a magnifying glass to find details and find that those suspended dramas still use this set of personality portraits.

The first category is the three good students when they grow up.

When they are studying, their grades are among the best. They behave themselves obediently and seek a stable and happy life. If they are lucky in life, they will be beaten by life in adulthood, but they will get what they want after all.

　

Tamia Liu’s Xiao Yan ("I really love you") and Sun Li’s Su Xiao ("Ideal City") all belong to this category.

　

The misfortune of miyoshi students is often a stronger desire to win and lose and a stronger heart to compare with others. Because of this background, they have to fight hard with themselves, their environment and their surrounding eyes for a long time.

　

Typical such as Rulu’s Dong Sijia (Our Marriage).

　

The second category is girls with ideas when they grow up.

This kind of people appear with a cool feeling, but because of their own way and their own lethality, people’s attitudes towards them are often polarized, either like them or hate them, with little ambiguity. Among them, the lucky ones, whose lethality is ornamental but not destructive, get more love than disgust.

　

For example, Bai Baihe’s Comet Shen (Our Marriage).

　

The boring way of doing things is both destructive and ornamental. This kind of person has clear goals, clear self-awareness, and ignores morality when doing things, so the road to rise is also blamed.

　

Ling Ling in My First Half Life played by wuyue and Tang Xin in last romance are among the best.

　

The third category is the flower of Gaoling when it grows up.

This kind of role is usually a combination of AB faces. How lucky you are, how sad you are. Gifted and with its own shortcomings, it is a common way in ancient romantic novels.

　

Yolanda, Chen Shu and Song Jia are popular actors in this branch.

　

Looking back at the works of the above-mentioned actors in their girlhood, we will find that they have formed some intertextuality with the present situation.

　

After "Our Marriage" was broadcast, the appearance of Bai Baihe’s husband and interviewer made people feel that they should never quarrel with Bai Baihe, but they also dreamed of "33 days of lovelorn love".

　

It turns out that Huang Xiaoxian people live like this when they reach middle age.

When Sun Li was young, her films "Romance in Blood" and "Happiness Like Flowers" were all good girls with standard templates. Even if she later turned into a heroine, protecting the background color of goodness is still the greatest characteristic of all her roles.

　

There is nothing in Tamia Liu’s role that he doesn’t work hard. Yolanda’s role will always have a calm. Chen Shu’s role is always elegant and beautiful. Many characters in wuyue are self-centered, and Rulu is always a hard worker with a strong desire to win or lose …

　

The audience doesn’t care that the role is not glamorous for a while-anyway, there is always a protagonist aura to blame and upgrade.

　

What the audience cares about is this middle-aged person. She is really unreal.

　

What is the truest? Watching her role along the way, from young to middle-aged, is the most true.

　

Young actors rely on the impact of fresh faces to win the passers-by, while middle-aged actors rely on familiarity.

　

This kind of familiarity either comes from the accumulation of actor’s role output in his career.

　

Or from the familiarity that satisfies the imagination of the audience, such as the Yi Shu girl in Yolanda and the perfect wife in Tanya.

　

However, familiarity is also a double-edged sword. The audience’s preferences are amazing at first sight, surprising at second sight and annoying at third sight.

　

It stands to reason that when people reach middle age, the breadth of life is not the same as when they were young, and the angle they can show will only be more yuan. Then why do elite women still love delicious food when they are young, but they are not fragrant when they reach middle age?

　

The ideal lover’s perspective of male director

It must be admitted that the more angles, the more roles people play in life, the more difficult it is to balance, and the greater the probability that Bai Yueguang will become a bean curd.

　

The main creative team of domestic dramas, the current situation is that male directors are the main force in both male and female dramas.

　

Shen Yan, Jian Chuanhe and Kaizhou Zhang are the directors who have delivered the most elite women in recent years.

　

The former includes My First Half Life, last romance, Our Marriage and other dramas, while the latter two jointly created Ode to Joy. Recently, Jian Chuanhe’s Meet Time has been said to be the first bad drama at noon.

　

When a male director shoots a woman, it is easy to show her life as a male gaze.

　

This first depends on the difference in thinking between the two sexes.

　

Let a straight director shoot female beauty, and the director will easily get to the point.

　

Look at Jing Wong’s lens. Chingmy Yau, with a small buck tooth and a shrinking chin, is the ultimate beauty, Shu Qi, with a wide eye distance and a big mouth, has a unique style, and Loretta Lee, with a baby fat and naive expression, can be photographed as sexy. The output of these images has laid a solid foundation for actresses to lay a style later.

And Tsui Hark, Brigitte Lin’s image of pure herself has been exported in Taiwan Province for more than ten years. After arriving in Hong Kong, she was discovered by him as a heroic spirit. Joey Wong people who played basketball were big and burly, and under his training, there were also demon’s jiaochen and weakness.

Woodenhead’s Angelababy, who has been ridiculed for many years, played the leading role in The Dragon King of Di Renjie, and was also trained by Tsui Hark.

It is not difficult for male directors to appreciate all kinds of beauty with keen eyes, but it is really not easy to think about women’s fate with female thinking like Guan Jinpeng.

　

Straight male directors are doomed to be difficult to understand the delicate entanglements in women’s living conditions.

　

Typical such as "Meeting Season".

　

There are many female images in the play, but none of them are really pleasing.

　

This means that the team’s interpretation of the role is wrong.

　

The actor practiced playing Chen Xin ‘er, the ex-wife of the actor, in the play, which was a very crazy, annoying and hysterical role. When practicing talking about the role, everyone thinks that Chen Xin-er is difficult to shape in the reading stage of the script.

　

In her understanding of the role, there is a biography of a character-Chen Xiner had a nickname called Chen Rules since childhood. She was a well-behaved student when she was a child. After graduation, she found a good job, met Jian Hongcheng (the male master), ushered in a rebellious period, and then bet her life on this person. After divorce, she lost not only a marriage, but the life she defined.

　

This man has a strong tragic existence, but in the end, he is an image that is only crazy and not worthy of sympathy.

　

Another example is Yolanda’s heroine Ning Yi. Yolanda’s interpretation is that this person’s life is too hard, so she looks for the possibility of happiness and enlarges it.

　

As a result, the audience only saw the bitterness of the chicken flying and the dog jumping on the surface. The woman’s inner depression, the long-term compromise of the first marriage and the reasonable footnote of the virgin’s behavior were all hidden.

　

The women in the director’s perspective of "Meeting Season" are labeled with many intuitive labels.

　

A shrew is a shrew who is caught at any time and place. As for the formation of splash, there are few introductions. Elite women are decent all the time. In the face of her husband’s cheating and corruption, they have to deal with the aftermath, but they don’t explain the reasons for this person’s aftermath, as if everything should be taken for granted.

　

These loopholes that can’t stand scrutiny are the reasons why the role finally collapsed.

　

"Ode to Joy" and "My First Half Life" also have the same problem. Kochi women are ignorant and rigid. Andy’s hidden anthomaniac attribute, Tang Jing’s uneasiness and constant guidance from men in her career path make them seem to be present, but they will always be at someone else’s home.

　

At first glance, the audience will be attracted by the breakthrough roles of elite women in those few years, and after careful scrutiny, they will find that they can’t be consistent in the current context, let alone figure out where they came from and where they are going.

The female screenwriter wrote about the absent father.

Interestingly, most of the writers of dramas that produce elite female roles are women.

　

It stands to reason that straight men don’t understand women from the perspective, and women should understand each other better. Female screenwriters guard the story, and female stories should be told more smoothly.

　

It is also true.

　

Compared with "Dress Up" written by a male screenwriter, the strong woman Chen Kaiyi (Song Jia) is awkward in falling in love as if touching her hand is violated, and the strong woman portrayed by a female screenwriter is obviously much more feminine.

　

However, we can’t escape the pattern of novel adaptation. In the process of film and television, female screenwriters still make strong women fall into the situation where their father is not present.

　

This consideration, in some cases (for example, in the process of making Anai’s works film and television, he also works as a screenwriter), which is the embodiment of respecting the original works.

　

However, in more works that entered magic change, the father’s absence was originally intended to show the deep-rooted strength of women’s self-reliance, but in fact it set off a ubiquitous lack.

　

Yi Shu’s original "My First Half Life" has no drama in which two women compete for a man. Before his divorce, Luo Zijun, a teacher’s pen, was a person who could help her husband manage various cocktail parties, and his overall planning ability and communication ability were above most people. After the divorce, I found a new love by living my own life. I just informed Tang Jing that my life had entered a new journey. The whole story is free and easy.

　

The film and television drama adapted by Qin Wen, the teacher’s breath is gone.

Luo Zijun changed from an independent divorced woman to a workplace puppet who was promoted step by step by men, and her family of origin, from her mother to her sister, met love rat all her life in the cycle of getting rid of love rat and looking for a good man for the rest of her life.

The lack of a father in this family was originally intended to set off the difficulty for a single mother to support her two daughters. In the end, the strength of women was not shown, but the damage caused by the lack of men was everywhere.

　

In this case, shaping elite women is like a castle in the air.

　

"last romance" is the same. Jiang Nansun’s mother, Xiao Yan, went abroad early to get rid of family of origin and married early to get rid of family of origin. When Xiao Yan saw her mother, her first sentence was to persuade her to divorce, which made people feel puzzled and her strong hostility was tenable?

Zhu Suosuo stayed with his father all the year round, and finally fell in love with a man about his age. After being rejected, he quickly married a small man of the same age, and then began a new round of men’s absence in the growth of children …

　

Women’s strength is emphasized everywhere, and there are irreparable shortcomings left by father’s absence everywhere. This makes a seemingly strong appearance turn into a bubble that will burst with a poke.

　

Focus on showing everything, and everything becomes more and more empty.

　

Nowadays, David Wang, led by the domestic drama master, has learned to show his vulnerability appropriately in all kinds of unscrupulous situations. Who says a scheming bully can’t be mean or fail?

　

Elite women, on the other hand, are packed like an iron wall, always tight, as if they bowed their heads and lost their crowns.

However, the direction of the story made them collapse from time to time.

It seems that it is the elite women who are improving step by step. As for personality, they are still floating in the air of imagination and marking time.

　

Nowadays, in the consumer market, the symbolization of elite women has been completed.

In the next step, film and television dramas should let them fall into living people.

* Disclaimer: This article is the author’s independent opinion and does not represent the position of the Chief Entertainment Officer.

　　

　　Chinanews. com client Beijing December 12 (Reporter Li Jinlei) Recently, pensions have risen again! The increase in money this time is the basic pension for urban and rural residents.

　　Pension comics. Author: Wang Shanshan

　　The basic pension for urban and rural residents nationwide has been raised.

　　This year’s government work report proposes to raise the basic pension for retirees and raise the minimum standard of basic pension for urban and rural residents.

　　Retirees’ pensions rose first, rising by 5% this year. At present, they have risen and been reissued, benefiting more than 120 million retirees. Nowadays, the basic pension for urban and rural residents is rising.

　　What is the basic pension for urban and rural residents? To participate in the old-age insurance for urban and rural residents, the treatment consists of two parts: basic pension and personal account pension. The basic pension consists of the minimum standard of basic pension determined by the central government, the basic pension raised by local governments and the basic pension with additional years.

　　Previously, the minimum standard of basic pension determined by the central government was 88 yuan per month. According to the information released by the Ministry of Human Resources and Social Security through the Chinese government website recently, at present, the minimum standard of basic pension determined by the central government is 93 yuan per month, and the level of basic pension raised varies from place to place.

　　Social security card data map. Photo by Sun Hongyi

　　Basic pensions for residents in many places ushered in an increase.

　　After the national minimum standard of basic pension for urban and rural residents was raised, from the local level, recently, the basic pension for urban and rural residents in many places including Shandong, Fujian and Shenzhen ushered in an increase.

　　Among them, Shandong announced that from July 1, 2020, the minimum standard of basic old-age insurance for residents in the province will be raised from 118 yuan to 142 yuan per person per month, that is, the 24 yuan will be raised per person per month.

　　Fujian Province proposed that the minimum standard of basic old-age pension for urban and rural residents in Fujian Province will be raised from July 1st, from 123 yuan per person per month to 130 yuan.

　　Shenzhen also announced to raise the basic pension standard for residents’ basic old-age insurance. Since January 1, 2020, if the insured who receives the pension has less than 8 years of household registration in this city, the basic pension will be raised from 302 yuan per month to 322 yuan; The basic pension has been raised from 453 yuan per month to 483 yuan since the month following the eighth anniversary of the city’s household registration.

　　Data map of endowment insurance for urban and rural residents. Photo by Fion Sun

　　Shanghai has the highest basic pension for urban and rural residents.

　　Previously, Shanghai adjusted the basic pension standard for urban and rural residents’ old-age insurance from 1010 yuan per person per month to 1100 yuan per person per month. At present, the basic pension standard for urban and rural residents in Shanghai is the highest in China.

　　Beijing has also raised the basic pension for urban and rural residents this year. For those who have received the basic pension for urban and rural residents’ basic old-age insurance before December 31, 2019 and enjoyed the old-age security welfare pension, the 20 yuan will be increased every month from January 1, 2020. The per capita monthly standard of basic pension for urban and rural residents in Beijing has reached 830 yuan, and the per capita welfare pension is 745 yuan.

　　With the increase of employee pension and resident pension, retirees get more pensions, and dancing in square dance is more energetic.

　　Can the pension be paid in full and on time?

　　It should be noted that, according to the requirements of the Ministry of Human Resources and Social Security, it is necessary to ensure that the basic endowment insurance fund for enterprise employees will be unified at the provincial level before the end of 2020. Therefore, with the realization of provincial overall planning, the date of pension payment in the whole province will also be unified.

　　In addition, retirees are very concerned that this year, affected by the epidemic, can pensions be guaranteed to be paid in full and on time?

　　The Ministry of Finance recently gave a "reassurance": this year, China will increase the central financial subsidy and adjustment of the basic old-age insurance fund, and support local governments to pay pensions in full and on time. In 2020, the central government allocated 582.7 billion yuan of subsidies for basic old-age insurance for enterprise employees, an increase of 10.7% over last year, and focused on the central and western regions and old industrial base provinces where the contradiction between fund revenue and expenditure was more prominent.

　　The state requires that pensions be paid in full, so everyone can rest assured. (End)

On January 1st, the provisional import tariff rate for 883 commodities was lower than the MFN tariff rate-
Import tariff reduction "spree" is coming.

The tariff has dropped again! The Customs Tariff Commission of the State Council recently issued a notice to impose a provisional import tariff rate lower than the most-favored-nation tariff rate on 883 commodities from January 1, 2021, in order to support the construction of a new development pattern with the domestic cycle as the main body and the domestic and international dual cycles promoting each other. Insiders pointed out that the adjustment measures will help reduce the import cost of China, better attract global resource elements, not only meet domestic demand, but also provide broader market opportunities for countries, better connect the domestic market with the international market, and help build a new development pattern.

Adjust tariffs year after year, why?

Tariff has the functions of ensuring national fiscal revenue, regulating social and economic activities and protecting domestic economic interests in foreign trade and economic cooperation. Since the reform and opening up, China has made full use of tariff means such as levy, reduction, exemption and refund to promote the national economic development. It can be said that the change of tariff witnessed the development of foreign trade.

Perfecting legislation and formulating policies-Since January 1st, 1980, China resumed the customs to levy tariffs on foreign trade import and export goods. In January 1985, the State Council deliberated and passed the Regulations on Import and Export Tariffs of People’s Republic of China (PRC), and the customs began to levy tariffs according to the Customs Import and Export Tariff of the People’s Republic of China determined by the tariff regulations; On July 1, 1987, the Customs Law of People’s Republic of China (PRC) was promulgated and implemented. Based on the Customs Law and tariff regulations, a series of supporting regulations were also promulgated.

Actively participate in the formulation of international rules-in 1992, China joined the International Convention on the Harmonized System; In June, 2015, China took the lead in formulating the first World Customs Supervision and Service Guidance Document on Cross-border E-commerce, World Customs Organization Standard Framework for Cross-border E-commerce, and China Customs’ influence and voice in the formulation of international economic and trade rules are constantly improving.

Optimize the tax system-In recent years, China has reduced import tariffs on consumer goods such as clothing, bags, shoes and boots, specialty foods and medicines for many times.

Since May 1, 2018, China has reduced the import tariff of all common drugs, including anticancer drugs, alkaloid drugs with anticancer effect and actually imported Chinese patent medicines to zero by means of provisional tax rate. On November 1st of the same year, China reduced the import tariff of 1,585 items, and the total tariff level was reduced from 9.8% to 7.5%.

Since January 1, 2019, China has imposed provisional import tax rates on 706 commodities, and imposed zero tariffs on important raw materials urgently needed for domestic production of drugs for treating cancer and rare diseases, involving 63 varieties under 31 tax items.

Since January 1, 2020, China has imposed a provisional import tariff rate lower than the most-favored-nation tariff rate on 859 commodities, and continued to impose an agreed tariff rate on some commodities originating in 23 countries or regions.

In 2021, China adjusted its import tariffs again and sent out a "gift package" of policies to benefit people’s lives and promote the economy. According to the notice of the State Council Customs Tariff Commission, since January 1st this year, China has imposed a provisional import tariff rate lower than the MFN tariff rate on 883 commodities.

"Most-favored-nation tax rate is the tax rate applicable to the goods imported by most countries in China. The provisional tax rate refers to the tariff rate imposed on some imported and exported commodities within a certain period of time. The provisional tax rate is generally lower than the MFN rate, which is a common way to adjust tariffs independently. " Zhang Jianping, deputy director of the Academic Committee of the Research Institute of the Ministry of Commerce and director of the Regional Economic Research Center, explained, "At the end of each year, China will adjust the tariff rate of some imported goods, mainly to adapt to the economic and social development. Over the past 70 years, the development and changes of China’s tariffs have witnessed the glorious course of China’s foreign trade from small to large and from weak to strong. This adjustment fully reflects the basic idea of the country to meet the needs of the domestic super-large-scale market through imports. With China’s in-depth participation in and promotion of the process of economic globalization and the formation of a more comprehensive and higher-level open economy, the door of China’s opening to the outside world is getting wider and wider. "

Benefit people’s livelihood, improve quality and promote upgrading.

Specifically, this new round of tariff adjustment reflects three ideas:

Reduce the economic burden of patients and improve people’s quality of life. The tariff adjustment plan is clear, and the second batch of raw materials for anticancer drugs and rare diseases, foods needed by special children, etc. will be subject to zero tariffs, and the import tariffs on medical equipment such as artificial heart valves and hearing AIDS will be reduced, and the import tariffs on raw materials for infant milk powder such as whey protein powder and lactoferrin will be reduced, even by 50%.

"This not only shows that the country continues to implement the concept of people-oriented and people’s livelihood, but also meets the people’s longing for a better life and the demand for baby milk powder in the domestic market." Zhang Jianping said, "The continuous release of tariff policy dividends highlights the orientation of’ benefiting people’s livelihood’. Consumers and patients can actually reduce expenses and get tangible benefits. "

Better meet domestic production needs and promote high-quality economic development. In order to meet the needs of domestic production, the adjustment plan clearly further reduces the import tariffs on some equipment, spare parts and raw materials needed for new infrastructure or high-tech industries such as fuel cell circulating pumps, aluminum silicon carbide substrates and arsenic alkanes, from 5%-8% to 2%-4%. At the same time, from the perspective of high-quality economic development, the new round of tariff adjustment has also reduced the import tariffs on some energy-saving and environmental protection products. For example, as an important part of automobile energy saving and emission reduction, the import tariff of exhaust gas recirculation valve is reduced from 7% to 5%.

In addition, a lower provisional import tax rate is imposed on aviation equipment such as fuel pumps for aircraft engines to promote international cooperation in the aviation field; Reduce the provisional import tax rate of wood and paper products, non-alloy nickel, unwrought niobium and other commodities to encourage the import of resource products, and moderately reduce the sliding duties of cotton; From July 1, 2021, the sixth step will be implemented to reduce the MFN tariff rate of 176 information technology products.

"Reducing import tariffs on these commodities can effectively reduce the import cost of high-tech equipment and parts, domestic scarce resources and some high-quality raw materials needed for domestic industrial upgrading, which is conducive to accelerating the modernization, digitalization and intelligence of domestic industries and promoting domestic industrial upgrading." Zhao Ping, vice president of China Council for the Promotion of International Trade Research Institute, said.

Emphasize both economic development and environmental protection. According to the adjustment plan, in order to implement the Law on the Prevention and Control of Environmental Pollution by Solid Wastes, the provisional import tax rate of solid wastes such as metal scrap will be cancelled and the MFN tax rate will be resumed from January 1, 2021. "With the development of domestic economy, it has become a social consensus to build an ecological civilization, give priority to environmental protection and ensure public health. In the past few years, China has banned the import of various types of electronic waste, which is also due to this consideration. " Zhang Jianping said, "This reflects the development concept of emphasizing ecological civilization construction in the process of pursuing high-quality development and’ double cycle’, raising the standard of environmental protection and reducing energy consumption."

"Overall, this tariff adjustment will have a positive supporting effect on domestic consumption, and residents’ sense of acquisition and happiness will also be effectively improved, which will not only meet domestic demand, but also enhance the level of industrial technology development in China and promote the formation of a grand and smooth domestic economic cycle." Zhang Jianping said, "At the same time, it is conducive to building a high-standard free trade zone network facing the world, better connecting the domestic market and the international market, promoting the common development of China’s economy and the world economy, and promoting win-win cooperation."

Expand the "circle of friends" and share the development dividend

In addition to meeting domestic demand, adjusting the continuous release of import tariffs and accelerating the expansion of opening-up signals, it also reflects China’s determination to expand its "circle of friends" and promote sharing and win-win.

In order to promote the high-quality development of the "Belt and Road" and realize high-quality introduction and high-level going out, according to the free trade agreement or preferential trade arrangement signed and effective between China and relevant countries or regions, in 2021, China will implement the agreed tax rate on some imported goods originating in relevant countries or regions. Among them, the China-Mauritius FTA came into effect on January 1, 2021 and implemented tax reduction.

The head of the World Trade Department of the Ministry of Commerce said that the agreement was comprehensive, high-level and mutually beneficial, which contributed to the construction of a closer community of destiny between China and Africa and filled the gap in the existing free trade zone network structure in China. After the agreement came into effect, in the field of goods trade, the proportion of product tax items that China and Mauritius finally achieved zero tariff reached 96.3% and 94.2% respectively. In the field of service trade, both sides promised to open more than 100 sub-sectors. In the field of investment, China upgraded its original investment protection agreement with African countries for the first time. Yang Baorong, deputy director of the west asia and africa Institute of China Academy of Social Sciences, said that the Agreement not only provides a stronger institutional guarantee for deepening the economic and trade relations between the two countries, but also gives a brand-new connotation to China-Africa comprehensive strategic partnership of cooperation and raises China-Africa economic and trade cooperation to a new height.

In addition, China’s free trade agreements with New Zealand, Peru, Costa Rica, Switzerland, Iceland, Pakistan, Chile, Australia, South Korea and Georgia and the Asia-Pacific Trade Agreement have been further reduced. Some imported goods originating in Mongolia will be subject to the Asia-Pacific Trade Agreement tax rate from January 1, 2021. In 2021, the preferential tax rate will continue to be applied to the 43 least developed countries that have established diplomatic relations with China and completed the exchange of letters, and the scope of goods to which the preferential tax rate applies and the tax rate will remain unchanged.

Liu Xiangdong, a researcher at the Economic Research Department of China Center for International Economic Exchanges, said that the members of the Asia-Pacific Trade Agreement, namely Bangladesh, China, India, Laos, South Korea, Mongolia and Sri Lanka, are the main emerging markets that can be tapped along the Belt and Road. With the global epidemic raging and trade protectionism on the rise, continuing to adhere to the foreign policy tone of free trade will not only help maintain an open world economy and jointly cope with external shocks, but also further strengthen value chain cooperation and promote the development of Asia-Pacific production networks to a higher level.

"China proposed to promote the construction of the Belt and Road with high quality, build a global free trade zone network that radiates the Belt and Road, and implement agreed tax rates on imported goods from these partners, countries or regions of the Belt and Road, reflecting China’s willingness to share China’s big market and high growth with these partners." Zhang Jianping said, "At the same time, this will also help China and its partners in the Belt and Road to form complementary advantages, cooperation and interaction, and help to form a new pattern of opening up and international economic and trade cooperation with the coordinated development of’ bringing in’ and’ going out’."

This adjustment is the first step of opening up in 2021, and a series of policy dividends with greater strength and wider coverage will be released soon: "Catalogue of Industries Encouraging Foreign Investment 2020 Edition" will be implemented from January 27, 2021; In 2021, China will continue to implement the agreed tax rate for relevant countries or regions. "It is foreseeable that China will further expand its opening up this year, especially to modern service industries such as finance and high-end manufacturing industries, continuously optimize the domestic business environment, and build a high-level open new highland." Liu Xiangdong said.(Reporter Kong Dechen)

[Editor’s note]As a cross-cultural global communication activity, writing and translation jointly determine the quality of overseas communication. On June 8th, the "Online Literature Overseas Communication Summit Forum" hosted by Yuewen Group and its overseas portal Webnovel was held in Singapore. Lin Tingfeng, editor-in-chief of Yuewen Group, and many writers, translators and editors of Yuewen attended the event to discuss the development direction of online literature overseas communication. It is worth mentioning that the online reading group has already jumped out of the local Chinese circle. Malaysian translator Insignia said at the meeting, "To my surprise, non-Chinese Malaysian residents are also reading novels in Webnovel, and this group is rapidly expanding, breaking the racial barriers, gender differences and geographical distances, so that everyone can share a novel and share a world. "This article is a speech made by CKtalon, a Singaporean translator, at the meeting. CKtalon is translating Zhenwu World, Flying Sword Asked and other works.

First, the status quo of overseas translation

Good afternoon, everyone. I’m Hongwen from Singapore, and I’m also CKtalon, the translator of Starting Point International. Today, I am here to share with you the overseas translation of China’s online literature.

First of all, what I want to share with you is the status quo of overseas translation. Since November 2015, I have been involved in the Chinese-English translation of the oriental fantasy "Zhenwu World", and later I have gradually tried different types such as city, Er Yuan and Xian Xia. Although I was not the first person to "eat crabs", I was fortunate enough to witness the process of China’s online writing going to sea. Different from domestic readers, China’s online text that overseas readers first came into contact with belongs to a second creation, that is, the version translated and edited by the translator according to the Chinese version of the novel. Mr. Yu Guangzhong, a famous contemporary translator, once said: Translation is a conditional creation. I quite agree with Mr. Yu’s point of view. In the process of transforming from one language to another, the translator needs to constantly overcome the personal uniqueness in his creation and approach the original infinitely. Translators need to understand what the original author is thinking and expressing through the original text. More importantly, what he is passing on to the readers.

In my opinion, the classification of translators is actually very similar to the system of cultivating immortals in China’s net. Nowadays, most web translators are still in the stage of building a foundation, that is, translating to readers word by word according to the original text. This kind of translation without merit can only make readers understand who is doing what.

Then the translator will tell the story better and more vividly. They will make readers understand the plot and increase the overall readability and fluency. Especially in the depiction of the characters’ mood, readers will feel the emotions of the characters at this moment through various methods such as capitalization, boldness, italics, punctuation and so on.

Yuan Ying-level translators will make up for the logical loopholes of the original author and narrate the original author’s incomplete meaning completely. However, due to the difficulty in grasping the scale, there are still few such high-level translators at present.

Of course, there are also a lot of practicing translators who have a large number of omissions, mistakes and even machine turns.

Therefore, at present, the translation level of the whole overseas online text is still uneven. At first, due to the lack of choices, readers were more tolerant of such works with poor translation level. However, with the increasing number of online novels in China, readers are constantly evolving. I believe that these practicing translators will eventually be eliminated by the market.

Second, the difficulties in China’s online translation

Secondly, it is the translation difficulty of China’s net text. As a translator with more than two years’ online translation experience, I have a deep understanding of the difficulties encountered in the translation process.

Translation is to let cultures communicate and understand each other. Therefore, the first difficulty lies in the interpretation of the words with China characteristics. It is not a simple matter to explain the meaning clearly and make the reader understand it. I still remember that when I first started translating Zhenwu World, the translation time of each chapter was nearly two hours. As an oriental fantasy novel, those levels of cultivation, idioms and common sayings are inevitable. I understand the meanings of those words that contain China culture, such as "Then", "Yuan Shen" and "Immortal", but I really don’t know how to translate them.

For this kind of vocabulary, I usually divide it into two parts: translation and explanation. First of all, translation is to find the most accurate English word. After all, translation is not a brand-new field, and I think it is undoubtedly a "shortcut" to absorb the wisdom of translators’ predecessors. Therefore, I will choose the most accurate and accepted word by looking for a lot of information and reading a lot of literature. It is undoubtedly not enough to find this word alone, so it needs to be explained to make readers better understand the story and cultural meaning behind this word. I think Starting Point International has done a good job on this point, and we can easily annotate a certain word or sentence in the translator’s backstage. When the front end is displayed, a small gray logo will appear on the right side of the word, and readers can click to see the complete explanation. This will not affect the reader’s reading experience, but also achieve the effect of explanation. Personally, I think this little function is great! In addition to pure text explanation, many translators will also use the combination of pictures and texts to make readers feel more interesting. For example: Tai Ji Chuan, there will be a video of grandpa playing Tai Chi; Sugar-coated haws will put a picture of sugar-coated haws. Of course, readers usually love and hate food photos.

The second difficulty in translation lies in the disunity of nouns. Many China online articles, especially male frequency books, usually have more than 1000 chapters in a book, so many authors will have the problem of writing before forgetting. Some names and places don’t match the previous ones. In the process of translation, the translator will have similar problems. The last time the place name was translated, the next time a new translation method was adopted. In order to avoid these confusions, our translators usually build a vocabulary while translating. The next time you translate this place name, you can find the previous translation method by searching.

For the whole site, I also helped the starting point international to establish a platform-wide vocabulary, which includes many translation methods of surgical words and proper nouns, thus effectively avoiding the problem of inconsistent translation of those surgical words between books and enhancing the reading experience of platform readers. At present, I have sorted out more than 700 translation methods of specialized words.

Third, the future research direction

Finally, I want to share with you our future research direction. Many difficulties in translation actually come down to cultural differences between different countries. In order to further eliminate these reading barriers caused by culture, the future research direction of Starting Point International will also shift to the localization of translation. We will aim at readers from different regions and countries, and through some reasonable adaptations and plot optimization, overseas readers can better understand China’s online texts.

[Editor’s note]

Through the superficial phenomenon of "little white" in online literature, many works with equal emphasis on entertainment and ideology have been born. This book list will introduce a more diverse online world, from the unpopular to the popular, from the small crowd to the public, and those outstanding works of various types.

"Who is not a yogi?" Golden jasmine

Slow, warm, sweet and funny.

The story of the protagonist crossing the other side to spread dog food. This is a different world where everyone is a yogi, and technology and transcendence develop in parallel. Plain daily life is a bit dark and cool, warm and funny.

It should be noted that the whole plot is the protagonist’s daily life, and there is no too intense plot conflict. If you don’t like this kind, you may feel a little sloppy. Secondly, the plot and story setting are inexplicably similar to the previous works. If you have read the last book and are temporarily uninterested in the theme, you’d better be careful.

Recommended index, 3.5 stars to 4.5 stars. If you like fast-paced upgrade articles, this book is not suitable.

The Reform and Opening-up of the Magical World [Comprehensive Britain and America].

Unique style of painting, great spoof of brain hole to Harry Potter fans

Perhaps it is the most unusual HP fan’s work in recent years. Can you imagine a Harry Potter who grew up in the corner of Northeast China, speaks Northeastern dialect, practices three times in summer and three times in winter, can stand on his fists, can race horses on his arms, has a handsome face, and is a Guo Jing template?

This is the story of a savior from the magical world in the East, an invincible iron fist and a red flag inserted all over the magical world. Based on HP’s basic world outlook, the novel goes into Marvel Comics, Transformers, Dragon Ball … all kinds of themes are mixed and mixed, with a tough guy style and all kinds of tricks and pranks.

Recommended index, three stars to five stars, a very interesting book, with excellent feedback.

Wind-up Bride: Eight Tailed Cats

Cyberpunk’s Light Novels with Magic Background: Daily Direction

In the near future city where science and technology are guided, ancient magic is replaced by modern arcane, new capitalist gods replace old gods, capitalists become new gods, and control life and death and magic. In the beginning, the protagonist uses ancient magic to rub a high-performance robot as the hostess (golden finger) to start the story.

Generally speaking, daily life is the mainstay, the imagination is rich, the plot is reasonable, and the overall rhythm is slow. The author has a certain knowledge of religious myths, and the reconstruction of myths is interesting. The plot and character description are good, and the background setting can be self-consistent.

It should be noted that despite the background of cyber, there is no bitter hatred, and the number of ways to write is not based on upgrading as in Shuang Wen, but on the light of the day. Each volume solves a big event, and the big event is slowly accumulated by small events. The protagonist is a jerk, and he won’t take the initiative to deal with things until he is on his own head, so the plot is very flat.

The recommended index is three to four stars. The author’s writing style is good, and those who like house writing can still try.

"I don’t want to be a film emperor" Tao Anyi

Entertainment career article

In the story of a young "monk" who was trapped into the entertainment circle by his twin brother, the protagonist has a strong martial arts background. Although he has the talent to copy his acting skills, he has been trying to exercise his acting skills. The author’s writing style is comfortable, his writing style is not hostile, his male character is pleasing, and his supporting character is also "cute".

The controversy is that the whole plot world is not reasonable, and the idealized entertainment circle setting has built a "positive energy world", which makes many book lovers feel "too fake and too vain". There is also the fact that the golden finger is too big, and the "poor monk" in the title is not fully reflected in the text, which is a bit of a title party feeling. A very interesting phenomenon is the feedback of this book. The feedback of the two groups of book lovers is very different. For example, the disputes I mentioned above are almost all raised by male book lovers.

Recommended index, three to four stars. It’s said that all the subscriptions are over 10,000, which is quite powerful. If you like books with a light style without hostility, this book is very suitable. It’s best for a reasonable party to be cautious.

Jing Keshou, The Pseudoprince

Qi yun Liu xian Xia Wen

Once the protagonist crossed the world of low martial arts, it was at the time of aura recovery, and the demon family was eyeing it, and the gods of the past returned to the world. After being a former imperial clan, Ben married the daughter of the abandoned prince of this dynasty, and was wrongly regarded as a descendant of the prince who lived in the folk, which is called a fake fake prince.

Although he is a fake prince, he wants to be a real emperor. At the beginning of the novel, the ancestral grave is targeted by malicious people. The protagonist makes a decisive war all the way. With the help of the rapid learning system, he rises against the trend and rushes from a boy to the top scholar of the temple step by step, and then uncovers the truth that the emperor personally ordered the killing of the prince’s whole house, and gradually gets involved in the struggle for the imperial office.

Generally speaking, the writing style is refined, the rhythm is compact, the IQ is online, the setting is rigorous, and the style is crisp and neat as always. It looks like Xian Xia, but it’s more about the imperial examination, as well as the bright knife and dark gun under the tactics of many temples, which is the palace fight in the key words.

Recommended index, two stars to four stars, recommended to book lovers who like to be decisive and like to compete for hegemony in the world view of classical martial arts Xianxia.

Hui Pengpeng, "The reincarnation of the film emperor"

Astronomy of film and television

The protagonist enters the film world as an actor, with the purpose of modifying the film content and achieving the goal of re-shooting. As a book of astronomy, the writing is acceptable, the logic is relatively reasonable, and there are occasional bugs, but they are not obvious. The supporting actor’s IQ is online, but it is not a traditional cool article, and there are some slightly wronged parts. On the whole, the story of Hong Kong films is quite brilliant.

It should be noted that there are great controversies between different copies, such as the copy of Storm and the copy of Sewing Machine Band. However, infernal affairs and the script of Wind are very tasteful, and there are many critical comments. However, the subsequent copies have been reviewed several times in succession, but the reputation has recovered in recent months … Controversy continues. If you encounter a copy you don’t like, just skip it without affecting it.

Recommended index, two stars to four stars. Generally speaking, it can be considered as the Zhidou text with the background of film and television drama, and many of its copies are very wonderful, which is the first file in the subdivision of Zhutian film and television text.

Fox’s tail pen in "Strange Fairy"

Recently, the popular Ke Xian Xia Wen.

The protagonist is in a dark world at the beginning, living between illusion and reality, constantly shuttling between reality and illusion, and reversing many times. Whenever you feel that the protagonist has got rid of the illusion, the protagonist becomes more crazy the next moment, and a few chapters create a pure atmosphere, which suppresses madness and tastes very positive.

After the baptism of the previous work "Mysterious Land", the author’s writing has matured a lot, and the rhythm is better controlled. The innovation lies in the integration of folk customs and Cthulhu, and the introduction of Chinese Taoism, Buddhism and Shamanism, which is full of the horror and strangeness of Cthulhu everywhere. The intermittent hysteria of the protagonist expresses the despair and gloom of the world outlook of the Ke family to the fullest, which is quite picturesque.

It should be noted that this book has a considerable reading threshold, and the actual situation is transformed and reversed constantly, which leads to confusion and brain burning. Moreover, the plot is depressed, and the protagonist makes use of evil things by consuming his life, which makes people miserable and desperate. Readers who are eager to read cool articles had better not come.

Recommended index, two stars to five stars, recommended to book lovers who have patience in reading and are tired of reading traditional online articles and want to change their tastes. Once again, if you miss some important details, you are likely to get confused.

"I really didn’t take it personally" is a key for ten years.

Easily turn to a steady and invincible game.

When the protagonist is playing a DND-like game, he carries the professional template of Xia Yin, and travels to the fantasy wasteland world after being washed by the 19-ring spell in turn. In order to be strong enough before the catastrophe, the protagonist started the steady development road of "On how a mage killer can become ten Li Po ares".

The highlight is that the writing style is sophisticated, the plot is smooth and not procrastinating, the writing style is cheerful and not frivolous, and people set up interesting online business. The author has carefully set up a set of professional system for wizards, brush specific monsters, get specific expertise settings, and set the party to look very emotional. Brush brush style, really have a feeling of playing games.

The controversial points are: first, the single machine brushes the blame, the interaction between characters is very few, and it is a bit repetitive to watch too much; Second, the golden finger is big, it is too easy to get things, and the digital combat power has risen rapidly, which makes people worry that the power system will collapse in the later period; Third, the foreshadowing is simple, the story is straightforward, and the choice of words and sentences needs to be improved.

Recommended index, three stars to four stars, although there are many problems, but a little bit of the feeling of watching online games in the past.

The Heart of the Crab in The Afterglow of Han Ding

A rare historical essay on the reasonable and serious opening of Chibi in the middle and late Three Kingdoms

The protagonist Lei Yuan’s soul penetrated the second son of the head of the Jianghuai thieves, and the family failed to cooperate with Sun Quan’s raiding Hefei. After that, Sun Quan withdrew his troops and fled south to Jiangxia, leaving the thieves to be retaliated by Cao Cao. The wolves surrounded him, and the eldest brother died. The protagonist turned into Jingnan by mountain road, hindered Cao Bing by terrain advantage, and then turned against Cao Cao to vote for Liu Bei. He was general in force and took the resourceful route, and could fight and rule the people.

The biggest feature of the novel is that there is no golden finger, the description of the war battlefield is meticulous, the atmosphere is magnificent, and the protagonist has no immortal aura at all; The starting point is interesting, and it is a rare three-country language written from the middle and late period of the Three Kingdoms. The writing is smooth and not verbose, the writing is delicate, the plot is compact, the climax is repeated, the rhythm is well grasped, and the war scene is full of punches, and the opponent does not force the intelligence.

Controversy lies in the author’s realistic writing, the cruelty of the war, the people around him say that they will die if they die, the decisive decision of the knife, the protagonist’s struggle in the general trend, which gives people a kind of "more than heavy, less than cool", and there are fewer plots such as the passer-by climbing the science and technology tree with a golden finger. Some book lovers left a message saying that Cao Hei stands for this book, but I think this is one of the rare three languages that stands on the people’s point of view. Finally, after entering Chang ‘an, the plot was controversial, and many book lovers suggested seeing Cao Cao’s death.

Recommended index, three to five stars, Shuhan powder must be seen. This book is not for you if you are simply looking for a cool history article.

[Specially published by Shanghai Literature and Art Review Special Fund]